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There is something insidious and culturally malicious and powerful about the social conservatism of what is thought to be his voice.
人们认为弥尔顿宣扬的是社会保守主义,社会保守主义中有种隐藏的，文化上有害且强大的因素。
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The great thing about classicism for Gadamer, or what he calls "tradition," is that it's something we can share.
对于伽达默尔来说古典主义，或者传统，最伟大之处是这是我们可以分享的。
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Milton opens up a shady space for something approaching a kind of moral relativism where black and white theological categories simply don't apply.
弥尔顿为接近道德上的相对主义,即黑和白之间的区分已经无法简单的适用,开创了先河。
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I'll say again, somewhat in advance perhaps of the time I should say it, that Gadamer thinks that there's something immoral about historicism.
我会再讲一遍，现在说可能有点早，伽达默尔认为历史主义有些不道德。
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Gadamer believes that historicism forgets the possibility of being taught something by past-ness or otherness.
伽达默尔认为历史主义忘记了,我们会从过去性和他性中学到一些东西的可能性。
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While Milton decided against writing an explicitly political nationalist poem, he did see himself as writing a poem that performed some kind of political function.
尽管弥尔顿决定要写的不是,有政治性的民族主义诗歌，他也让这首诗,发挥了一定政治作用。
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Gadamer says, and here again he's attacking historicism: The text that is understood historically is forced to abandon its claim that it is uttering something true.
伽达默尔在攻击历史相对主义时这样说道：,文本如果放在历史的角度理解,那么这样的理解肯定不是绝对正确的。
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That is, I think, essentially the difference between what we have been talking about so far, even though there have been a variety of outlooks, and what we are talking about now.
我想这就是形式主义者,和伊瑟尔的不同了，尽管大家对于我们这堂课有很多展望，对于我们现在的学习也有很多期待。
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In the meantime, Gadamer is objecting to this because he says, you simply can't do this.
同时，伽达默尔反对历史主义因为他说，人们做不到。
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It's not uninteresting, I think, to note that there appears to be absolutely no evidence whatsoever available to John Milton that Homer was either vegetarian or a lifelong celibate.
我认为这很有趣，似乎没有什么证据证明,弥尔顿可以获知,荷马要么是素食主义者或者是独身。
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What Gadamer does in his essay is actually an act of intellectual conservatism, it has to be admitted.
伽达默尔在他文章里说的,是思想保守主义的一种表现，这点必需得承认。
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The plot around the simile is glorifying the heroic Satan here, and Hartman ingeniously locates throughout a number of Milton's similes this same dynamic of a redemptive counter-plot.
这个比喻中的情节在这里美化了英雄主义的撒旦，哈特曼非常精明地在弥尔顿的大量比喻中,布置了同样的拯救性的反计。
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In other words, Iser is no more an historicist than Gadamer is but insists rather on the mutual exchange of prejudice between the two horizons in question.
换句话说就是，伊瑟尔并不比葛达玛更历史主义,但他相反却坚持在两个有争执的视域中,偏见的互换。
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But by the time Milton begins writing his epic, he abandons his plan for a nationalistic poem, a nationalist poem, and decides instead to use the subject matter that he had been intending for that prospective tragedy, Paradise Lost.
当弥尔顿开始写史诗的时候，他放弃了原来写民族主义诗歌的计划，转而决定用他本来打算写的悲剧,《失乐园》的主题。
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I mentioned earlier that it's Virginia Woolf who's largely responsible for our sense of Milton's identity as an oppressive patriarchal literary voice, but Virginia Woolf, too, had inherited these contradictory ways of thinking about Milton and about Milton's power.
我先前提到过，我们之所以会,把弥尔顿看作是男权主义在文学领域的发言人,在很大程度上是由于佛吉尼亚·伍尔夫，但佛吉尼亚也继承了这互相矛盾的,思考弥尔顿及其力量的方式。
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Now that's a tricky word for us because later in the semester we're going to be reading about something called the New Historicism, and the New Historicism actually has nothing to do with what Gadamer is ; objecting to in this form of historicism; so we will return to the New Historicism in that context.
这个词对我们来说比较具有迷惑性,因为这学期我们还会读到,新历史主义，新历史主义,与伽达默尔所反对的历史主义,没有任何关系;,那个时候我们再来讨论新历史主义。
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