Aengus is the Celtic name, the Celtic master of love a certain kind of Irish version of Apollo.

安古斯是个凯尔特名字，是爱神,是爱尔兰的阿波罗。

耶鲁公开课 - 现代诗歌课程节选

I'm a half, yeah. I'm half Japanese and half Irish.

我是日本和爱尔兰的混血儿。

关于旧金山大学校园 - SpeakingMax英语口语达人

Synge's play, The Playboy of the Western World it was set in the Aran Islands, in Western Ireland.

辛格的剧，《西方世界的花花公子》,它是在西爱尔兰的伊朗岛。

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You see Ireland was part of the United Kingdom at that time.

在那个时候,爱尔兰是英国的一部分。

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It's January, it's cold and wet in Ireland and,

现在是一月，爱尔兰是又冷又湿的，

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And the reinvention in the nineteenth century of British identity will also have a lot to do with fear of the Irish, "The enemy within," As they were perceived.

十九世纪英国民认同感的重建,和对爱尔兰的惧怕也有很大关系,"家贼难防",他们是这样看待爱尔兰的

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If Yeats's book was so explicitly Irish, look at this book.

如果叶芝的书是如此精致的爱尔兰化的话。

耶鲁公开课 - 现代诗歌课程节选

Pearse is seen as, in Yeats's poetry and in popular lore, as Cuchulain, as a kind of avatar of the mythic Irish hero.

在叶芝的诗里皮尔斯被看作是，民间传说中，的英雄王库丘林，是爱尔兰神话里下凡的天神。

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In a sense, the earlier poem, "The Song of the Wandering Aengus," transformed the Irish landscape into a place of myth, in the same way that the poem is describing the transformation of the trout into the girl.

从某个角度讲，这首早期诗歌，流浪者安古斯之歌“,把爱尔兰变成一块神秘之地，这和把鳟鱼变成少女的转变,是一样的描写手法。

耶鲁公开课 - 现代诗歌课程节选

Yeats is obviously writing in the context of an Irish civil war, but it's also the case that he's writing in the shadow of the First World War as well.

叶芝显然是在爱尔兰国内战争时期进行创作的，但是同时他也是在,一战的阴影下写的。

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The nationality of that identity is important that is Yeats's Irishness and so is Yeats's audience His ambition is to become the first major Irish poet writing in English.

这种民族的认同感很重要,它关乎他的爱尔兰人特性和读者群,他的目标是成为第一个最重要的,用英语写作的爱尔兰诗人。

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The fisherman is also representative of the Irish peasantry to whom Yeats turns in scorn of the urban audience that he had tried to write for in the theater.

渔夫还代表了爱尔兰农民,他们是叶芝的新读众,叶芝此前鄙视并最终抛弃了,他曾尝试为之写作的城市读众。

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The man is not a real man, the man is a symbol; only this time, a symbol of the real, a symbol of the actual and local of the Irish race and the reality.

这个人不是真正的人而是象征;,只是这次是真实的象征,是爱尔兰民族本地的,和真实存在的象征。

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This is an important phase of his career, when with the help of Lady Augusta Gregory and John Synge, Yeats tries to establish an Irish national drama.

这是他人生中重要的时段，在奥古斯塔格雷戈里夫人,和约翰辛格的帮助下，叶芝尝试爱尔兰民族戏剧。

耶鲁公开课 - 现代诗歌课程节选