that the actor playing Comus in this first and only performance in the seventeenth century was none other than our John Milton himself.

在17世纪,演员第一次也是唯一一次扮演Comus的,不是别人正是我们的弥尔顿。

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They hung dead, well, not actually, actors pretending to be people that were dying from the trees.

他们把死尸吊起来，当然不是真的，而是演员假装成吊死在树上的死人。

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No, no, no, there's a French actress describing about how he was avoiding to this.

不是，有一个法国女演员描述,他怎样避免这些。

麻省理工公开课 - 电影哲学课程节选

This then leads to a very different discussion because A play is not a piece of text. A play is a living thing That is meant to be performed by actors in a particular setting. Different actors with different directors interpret the words of Shakespeare to the best. We can construct those words differently.

这引起一场很不同的讨论,因为一部戏剧不是一篇文章，而是活物,是要被演员在特定的场景下,表演出来的，不同的演员,和导演尽可能去诠释莎士比亚的文字,我们可以以不同方式建构这些文字。

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