• Conquered peoples would trade their defeated god for the victorious god of their conquerors and eventually there would be a cultural and religious assimilation, intermarriage.

    胜利者所信仰的神,自然就取代了被征服民族的神,最终就产生了文化,宗教间的,同化通婚现象。

    耶鲁公开课 - 旧约导论课程节选

  • And all of the diversity of ethnicity and just cultural perspective. That's something I really enjoy.

    民族的多样性和文化观念的差异性。那是我真正喜欢的。

    在学校的时光 - SpeakingMax英语口语达人

  • Does it represent Yeats's own early cultural nationalism and the work represented in The Wind Among the Reeds and other early poems?

    它是否代表了叶芝早期,文化民族主义苇间风里,收录的及其他一些早期诗歌?

    耶鲁公开课 - 现代诗歌课程节选

  • And every musical culture around the world-- and I've talked with ethnomusicologists about this particular point-- every musical culture around the world, Chinese, Japanese, Indonesian, Indian, African whatever, they all use this phenomenon of octave duplication in their music-- octave duplication in the music.

    世界各地的每一种音乐文化,我曾经一些民族音乐学家谈论过这一点,世界各地的每一种音乐文化,中国的,日本的,印尼的,印度的,或是非洲的,大家都有这种现象,即在自己的音乐里运用,这种重复八度

    耶鲁公开课 - 聆听音乐课程节选

  • Yeats was trained in the occult disciplines of Theosophy and Gnosticism. Those traditions merge in his early work with European symbolism, and also with Irish cultural nationalism.

    叶芝曾受到通神论诺斯替教,神秘主义教条的训练,这些传统,在他早期作品中与欧洲象征主义,爱尔兰文化民族主义结合。

    耶鲁公开课 - 现代诗歌课程节选

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