So we try to remember to say "Wimsatt and Beardsley" even though it is Wimsatt who taught at Yale.
所以我们总说“文萨特和比尔兹利“,尽管在耶鲁教书的只有文萨特。
In the book in which the essay "The Intentional Fallacy" appeared, a book called The Verbal Icon, Wimsatt collaborated with Monroe Beardsley on three essays, and this is one of them.
意图谬误“是文萨特与比尔兹利一起,为一本叫做《语言象征》的书,写的三篇文章中的一篇。
with fellow Princetonian and former Senate Majority Leader Bill Frist, who had appeared on our program earlier, as co-chair of the Clinton-Bush Haiti Fund.
他和兼任普林斯顿校友及,前参议院多数派领袖比尔·弗斯特,他之前也曾经出现在我们节目上,共同担任,克林顿-布什海地基金会主席。
This is a picture of Bill Kannell on the right and Bill Castelli on the left who were physicians who were very prominent in this Framingham Heart Study over the years.
右边是比尔·堪奈尔的照片,左边是比尔·凯斯特利,他们都是这么多年弗明汉心脏病研究中,表现杰出的医生
Again it's Wimsatt and Beardsley, but I already explained how that is.
再次来看文萨特和比尔利兹的观点,尽管我已经说过了。
You can see that when Wimsatt and Beardsley talk about the "success" of the poem, they understand the whole critical enterprise, - including its theoretical underpinnings-- the question of what is a poem, - the question of how should we best read it-- to be still geared toward literary evaluation.
大家应该发现,当文萨特与比尔兹利谈到,诗歌创作的“成功“一词时,他们完全理解了文学评论体系,这包括适用于文学评估的理论根基-,就是那些关于什么是诗歌,还有我们如何解读的问题-,这些都对文学评估很重要。
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