So, the mere fact, if it is a fact, suppose the facts about life and death are as I've described them.
所以,事实不过是,如果这算是事实的话,假设关于生和死的事实正如我所描述的那样。
That's how those examples worked, the hypotheticals with which we began with their mix of playfulness and sobriety.
正如我们刚举的例子,那些严肃而又不乏趣味的假设性问题。
That's because to suggest -- just think of it - to suggest that Milton is relying on his memory as he composes so allusively and so dependently, in a lot of ways, so much of Paradise Lost - to say that is simply to say that the poem has been generated by Milton and not by God.
让我们来设想一下其中的原因吧,假设弥尔顿全靠着他的记忆,正如他隐晦而连续地在《失乐园》中引经据典,并将这些以多种方式组合,这在《失乐园》中随处可见,以至于人们可以简单地说这部诗,是出自弥尔顿而非上帝的创作。
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