What place can it occupy in each type of discourse, what functions can it assume, and by obeying what rules?"
它可以在每种话语中占据什么样的位置,它在遵循什么原则的情况下可以有什么样的功能?“
Why, in other words, return to what isn't fun, to where it isn't pleasure, and what can this possibly have to do with the pleasure principle?
那么换句话说,为什么结局会变得不欢乐,变得不愉悦呢?,它与快乐原则有什么关系呢?
There are two principles that I want to go through very quickly in terms of Socrates.
苏格拉底有两条原则是我想,快速介绍一下的。
One of the first principles of probability theory is called the multiplication rule.
概率论的最基本的原则,有一条叫乘法原理
So, for instance, it's a moral principle that some of us would hold to that even if stereotypes are correct it is still immoral to apply them in day to day life.
例如,有一个道德原则,是有些人很坚持的,那就是即使刻板印象是正确的,但如果在日常生活中应用它,是不道德的。
With this basic principle of utility on hand, let's begin to test it and to examine it by turning to another case, another story, but this time, not a hypothetical story, a real life story, the case of the Queen versus Dudley and Stevens.
有了这条最基本的功利原则,让我们检验一下这条原则,是否适用于另一案例,而这一次,就不再是假定的事件了,是个真实的故事,女王诉达德利和斯蒂芬斯案。
So Greenberg, and since him, Brettler, and many others, have argued that the principle of divine authorship has certain very important implications. First, it has a significant effect on the scope of the law.
所以Greenberg和他之后的Brettler以及其他很多学者,都认为,作者身份的神圣性原则有某些意义重大的,含意,首先,它对法律的适用范围有重要影响。
An obvious problem with this theory, and Freud acknowledges this problem in Beyond the Pleasure Principle, is that it's awfully hard to keep death and sex separate.
这个理论的有一个明显的问题,弗洛伊德在《超越快乐原则》中也承认了,那就是很难将死亡与性分开。
How does this compulsion to return to the traumatic event in any way correspond to or submit itself to explanation in terms of the pleasure principle?"
这些强制性回到创伤回忆中的行为,有是怎样以,快乐原则的形式体现出来的呢?
There's a very important principle that finally comes out here, it is that you always want to reduce the variance of your portfolio as much as you can.
现在这里有一个非常重要的原则,即你总是想要降低你投资组合的方差,降得越低越好。
So it was a theme of the period and Freud's Beyond the Pleasure Principle contributes to this theme. Brooks himself likes to -- refer to the text of Beyond the Pleasure Principle as itself a master plot-- in other words as having a certain fictive character.
所以不难发现,这就是弗洛伊德时期的一大主题,而那本《超越快乐原则》也就响应了这个主题,布鲁克斯,本人很喜欢引用《超越快乐原则》中的片段-,换句话说,就好像有一个虚构的角色。
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