But this very critique leveled against Levi-Strauss, he could have found in Levi-Strauss and does find it on other occasions.

但这个批判瞄准的是列维，斯特劳斯，他可以在列维，斯特劳斯的观点中找到,也的确在其他人的观点中找到。

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Then, of course, he moved on to Paris where he knew Claude Levi-Strauss and influenced him and, ultimately, to the United States.

之后他去了巴黎,结识了列维，斯特劳斯并影响了他，最后，来到了美国。

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Okay. So here's a waltz by Richard Strauss not to be confused-- no, excuse me, by Johann Strauss not to be confused with Richard Strauss whom we heard last time.

这是理查·施特劳斯的一首圆舞曲,别搞错了,不对,不好意思,是约翰·斯特劳斯,别和理查·斯特劳斯的搞混了,我们上次听过他的作品

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Levi-Strauss' famous book, The Raw and the Cooked, essentially stages this critique in and of itself.

列维，斯特劳斯一本著名的书，《生食与熟食》,在它自己身上提出了对自己的批判。

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It was an event that was really meant to be a kind of coronation of Claude Levi-Strauss, whose work had burst upon the American scene only a few years earlier.

这个会议其实可以看做是,列维斯特劳斯加冕礼，他的作品在会议前几年刚刚传入美国。

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They are thonic, or "autochthonous" in Levi-Strauss' word.

用列维斯特劳斯的话说就是“土著的“

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So there is a certain pattern in--and of course, I invoke this pattern in arguing that Levi-Strauss's version of the Oedipus myth betrays his Oedipus complex in relation to Freud.

所以说，这里面的确有一个模式--当然，我在说明莱维-斯特劳斯所写的俄狄浦斯神话其实违背了,弗洛伊德的俄狄浦斯情节时引用了这一模式。

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Again and again and again he quotes Levi-Strauss in confirmation of his own arguments, only then in a way to turn on him by pointing out that there is something even in what he's saying there that he hasn't quite thought through.

他一遍又一遍地引用列维，斯特劳斯的观点,来支持自己论点，在批驳其论点时也只是指出,他在某点上,考虑不够全面。

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