We all know about "Liebestod" in "Tristan and Isolde," the moments of death in literature which obviously are sexually charged.
我们都知道李斯特创作的《崔斯坦和伊索德》中“,文学中的死亡瞬间由性管控。
so Van Gogh and Lichtenstein. Monet is in there.
所以那儿有梵高和利希滕斯坦的作品。莫奈的作品也在那里。
But if you've got the Germans in Ostende eating moules frites, eating mussels with French fries, and you've already got the french there, this is unthinkable.
但如果德国人在奥斯坦德吃着淡菜炸薯条,也就是薯条配淡菜,和法国人一同窥伺英伦,这是难以想象的
So reception history has been a kind of partly theoretical, partly scholarly field, one that's really still flourishing and has been ever since the early work in the great Konstanz seminars of Iser, Jauss and others.
因此感受历史成了一个,半理论半学术的领域,在康斯坦的讨论会上,在伊瑟尔,姚斯和其他人的早期影响下,接受史一直处于繁盛期。
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