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We all know about "Liebestod" in "Tristan and Isolde," the moments of death in literature which obviously are sexually charged.
我们都知道李斯特创作的《崔斯坦和伊索德》中“,文学中的死亡瞬间由性管控。
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I chose English Literature because when I started off a university, I didn't know what it was I wanted to do.
我选英语文学是因为当我刚上大学的时候，我不知道自己到底想做什么。
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Now in addition to defining literature, literary theory also asks questions obviously not unrelated but which open up the field somewhat.
除了定义文学以外，文学理论还提出一些,显然不是不相关，却开辟了新领域的问题。
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And the reason is because Daniel is an older apocalyptic, prophetic text that was heavily influenced on early Christian literature.
因为但以理书是更古老的，有关天启预言的文本,对早期基督教文学有深远影响。
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I see this as a course that's an introduction to the literature of a period, to modern poetry.
我觉得，这只是一门引导性课程,引导大家关注某一时期的文学创作和现代诗歌。
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It's also that knowledge that an educated, sort of belletristic reader of The Saturday Review of Literature would be very, very familiar with.
这也是受过教育，某种研究文学且是,《周六文学评论》的读者所十分熟悉的知识。
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Finally, I think it can be said that it's a poem whose deepest investmentis actually in Milton's mastery over the entire Western tradition of literature.
最后，我要说的是,这是一首弥尔顿对自身对于现代文学传统的,写作技巧苦心经营的诗。
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He's a Montague, you know, like the Hatfields and the McCoys,the warring families two lovers, it's as old as literature that's here.
他姓蒙克特，你们都知道，就像是哈特菲尔德和麦科伊，敌对的家族,两个爱人，和这古老的文学一样。
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And I majored in English History and Literature, but I was interested in the 16th and 17th centuries.
我当时主攻的是英国历史和文学，而我感兴趣的是十七和十八世纪。
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And if I don't do that. then I will apply to graduate school in comparative literature, probably in California
如果不行的话，我应该会申请去加利福尼亚大学的比较文学研究生院。
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There's an extraordinary literature, the close concurrent, the close competition for that, the richest literature would be the Spanish Civil War with Orwell, and Borkenau and Brennan.
还有一类好的文学作品,能和一战类一拼高下的,争夺最丰富文学奖,应该就是西班牙内战,有奥威尔,博克南和布伦南
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The structural moment of concentration on the code for its own sake cannot be avoided, and literature necessarily breeds its own formalism.
集中在代码上的结构瞬间,因为它本身的原因不可避免，文学必要地导致了它自身的形式主义。
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In other words, an enormous variety of aspects of literature, understood as "literariness," can become the dominant.
也就是说，文学的很多方面，也就是我们所说的文学性，都可以占支配地位。
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In other words, it was written directly in the aftermath of a bombshell published by Leon Trotsky called Literature and Revolution in 1926.
也就是说，它是针对,1926年列夫托洛斯基发表的引起轰动的,文学与革命，而写的。
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We're not going to be studying it necessarily for how important it was for Medieval and Early Modern Literature, for example.
也不会研究它,对于中世纪及早期现代文学的重要性，等等。
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And this confusion, I think, has everything to do with the fact that this is no ordinary moral that we have in this work of literature.
我认为这种惶惑，是跟一个事实有关的,就是在这部文学作品中没有我们的普通道德。
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After that, I began a series of readings of novels that emphasized more what you might call the history of literature, the history of literature's forms and ambitions.
在那之后，我讲了一系列的,强调文学史，关于文学形式和理想的，历史的小说阅读。
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Literature is many things, a many-splendored thing," you say to yourself, "and it simply cannot be confined or trapped within a definition of that kind."
文学可以是很多，很多奇妙的东西，它不会局限于,那种定义“
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The author may have been looking out of the window, but literature, as we encounter it and as a text, is not looking out of the window.
作者可能往窗外看过了，但是文学上，我们遇到它时并且在它作为一个文本时，并不需要往窗外看。
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This is an aspect of thought concerning literature that tends to fall out of literary theory but not out of the materials that we are reading this week.
这样其实是在,脱离了文学理论的框架来思考文学，但我们,还是要联系上这周在读的内容。
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As you know, in classical literature the dead are referred to as shades, but here in Milton's simile "shades" merely means "shade trees."
在古典文学里，逝者常被用树荫来指代，而在这里弥尔顿的比喻“树荫“仅表示“叶绿成荫的树“
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Introduction to New Testament History and Literature: Lecture 1 This is Introduction to New Testament History and Literature.
新约历史与文学导论，第一讲1,这是新约历史与文学导论课。
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Again and again he says that the important thing is to insist on the difference between literature and other forms of discourse.
他一遍又一遍地说，重要的是坚持,文学和其它文体间的不同。
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They cannot be reconciled as traditional students of the relationship between rhetoric and grammar in studying the rhetorical and grammatical effects of literature take for granted.
它们不可能和解,像传统的修辞学与语法学关系的学生,在研究修辞学和语法学对文学的影响之时想当然地做的那样。
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Wimsatt right off the bat attacks what he calls "the Romantic understanding of literature."
文萨特从一开始就反对他成为,“浪漫解读文学“的方法“
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There are corollaries for those ideas in terms of the kinds of effects that literature has and what we might imagine ourselves to conclude from them.
这些想法,都带来一些必然的结果,有关文学的作用，以及我们想象自己能从中得出的结论。
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Trotsky's Literature and Revolution is a brilliant book, an attack on many things and a defense of certain other things, but in particular and very painfully an attack on the formalists.
列夫，托洛斯基的文学与革命非常精彩，它攻击了许多当时的理论，同时也维护了一些，但是它特别猛烈地攻击了形式主义者。
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And these discoveries led to a kind of "parallelomania" -that's how it's referred to in the literature.
这些发现导致了一种现象“,在文学上我们称之为“类似病态“
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