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Some of these terms that he uses are literary climax, the creation of suspense so he's tracking this as if it were the development of a narrative.
用文学语言来概括的话就是,“高潮“制造悬念,书中的陈述不断进行。
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Okay, I'm an English teacher, but I'm in English Literature, more than English as a language.
我是一名英语教师，但是我教英语文学，多于英语语言的教学。
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The language of Homer and of Virgil and of Pindar and of Ovid had become an inextricable part of his literary imagination and of his consciousness in general.
荷马，维吉尔，品达尔和奥维德的语言,成为弥尔顿文学想象还有文学觉悟中,无法摆脱的一部分。
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Their newly uncovered languages had been long forgotten; their rich literary and legal texts were now indecipherable.
最近发现的语言是很早就已经被人忘记的;,丰富文学法律条文也难以辨认。
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So although the New Critics were fed up with philological criticism, I don't mean to be condescending toward it or to suggest that it didn't play a crucially important role in the evolution of literary studies.
所以，虽然新批判主义,对语言学批判主义不满，但是并不是要否认语言学批判主义,在文学研究发展过程中,起到的重要作用。
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We are also not only inherently literary inherently linguistic, but also inherently visual.
我们不仅有固有的文学特性,有固有的语言特性，还有固有的视觉特性。
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And so, I would argue to you that Salinger imagines literature as a performance of this kind, a performance of a language of family love that is nevertheless also an aesthetic language.
所以，我认为Salinger想象的文学,作为这种家庭里爱的语言的表现,那至少也是充满美感的语言。
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Literature, unlike everyday language, begins on the far side of this knowledge.
文学，与日常生活中的语言不同，它始于知识的边缘。
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In other words, replacing the shortest distance between two points that we experience in a practical message, "literariness," as the formalists call it, or "poetic language," as they also sometimes call it and as the New Critics certainly call it, slows us down.
也就是说，实用语言以最短的距离,联系两点，而文学性，如形式主义者所称，或诗意的语言，他们有时也会这么叫,新批评派成员一定会这么称呼，使我们的理解速度慢了下来。
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In the first passage, the statement about language by criticism, that sign and meaning can never coincide, is what is precisely taken for granted in the kind of language we call "literary."
在第一段，关于语言的主张，用批判的方式，认为符号和意思永远不能相矛盾，正是这个主张,被人们认为是理所当然的，对于我们所说的文学语言来说“
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It is an aspect of a text, the way in which it does communicate in other words, which has to be understood as existing in a dynamic, functional relationship with those aspects of the text in which literariness is dominant.
它是文本的一部分，它有生动的，交际功能，但是从文学根本上来说,但诗化语言支配着它。
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That's a limiting case, but for the most part language that we use is not like that and therefore, what we think of is that literary should in principle also be able to show itself in something that is visual.
那是个很局限性的案例，但是总的来说，我们使用的语言,并不是那样,因此，我们所认为的文学的东西,原则上也应当能展示,一些视觉上的东西。
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