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So the criterion is: is it relevant to the unified form that we as critics are trying to realize in the text?
所以，这里的标准是：,隐含的意义是否和文本的一致性有关,而这正是我们作为文学批评家,要通过文本实现的？
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And the reason is because Daniel is an older apocalyptic, prophetic text that was heavily influenced on early Christian literature.
因为但以理书是更古老的，有关天启预言的文本,对早期基督教文学有深远影响。
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The author may have been looking out of the window, but literature, as we encounter it and as a text, is not looking out of the window.
作者可能往窗外看过了，但是文学上，我们遇到它时并且在它作为一个文本时，并不需要往窗外看。
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Again, there were actual sort of literary texts written directly under the influence of Freud.
也就是说，的确有一些文学文本,就是在弗洛伊德的影响下创作出来的。
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Because we don't really consider Western Literature to have an actual closed canon of authoritative texts.
因为我们并不认为西方文学,具有权威文本的固定标准。
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Though he sometimes does talk about texts that we call "literary," indeed he very often does, nevertheless Derrida's position and the logic of that position suggest that we can't really reliably discriminate among genres.
尽管他有时确实会讨论被我们称为“文学“的文本“,事实上他经常如此，然而德里达的立场和他立场的逻辑,是我们不能够明确地划分文学的体裁。
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It's neither in the text nor in the reader but the result of the negotiation back and forth between the text and the reader, he says, that sort of brings the literary work into existence in a virtual space.
它不在文本中，也不在读者的视域中,而在反复阅读文本和读者的视域之中，他说，那样会把文学作品,放到一个虚拟的空间中去。
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In other words, we can't use genre either as a blanket term; one of the most influential people in persuading us that there's no such thing as literature, legal texts, theological texts, philosophical texts, or scientific texts.
话句话说，我们不能将体裁用做一个概括性称呼;,主张没有文学，法律文本,哲学文本，或是科学文本中，最具影响的人物之一。
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He and a number of other writers like, for example, the Italian philosopher Giorgio Agamben, are the figures whom we identify with what's called "the ethical turn" in thinking about texts, literature and other matters that is very much of the current moment.
他和其他的一些作家，比如说，意大利哲学家吉奥乔阿冈本,在文本，文学“,等方面的思考,被称为，“伦理转向“
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