We all know about "Liebestod" in "Tristan and Isolde," the moments of death in literature which obviously are sexually charged.
我们都知道李斯特创作的《崔斯坦和伊索德》中“,文学中的死亡瞬间由性管控。
back when America was first getting its feet and like, started to write its own literature.
那个时候的美国刚刚站稳脚跟准备创作自己的文学。
I see this as a course that's an introduction to the literature of a period, to modern poetry.
我觉得,这只是一门引导性课程,引导大家关注某一时期的文学创作和现代诗歌。
But the New Testament includes ; all that kind of diverse literature; 27 different books, written anywhere from the year 50 to the year 150.
但是新约包括了,各类不同的文学;,不同的27卷书,创作于公元50年至150年间。
Again, there were actual sort of literary texts written directly under the influence of Freud.
也就是说,的确有一些文学文本,就是在弗洛伊德的影响下创作出来的。
Literary theory, as I say, is skeptical about the foundations of its subject matter and also, in many cases, about the foundations of what it itself is doing.
就像我说的,文学理论,是对创作题材的怀疑,在很多情况下,也是对自身所做之事的基础的怀疑。
At the same time, I do mean to give you some sense of the period in which they're writing, some sense of modernism as a field, as one of the richest fields in English language writing.
同时,我也会给你们提供一些背景知识,来了解作者创作的年代,以及现代主义的思想领域,就其作为英语文学创作最丰富的领域之一而言。
You can see that when Wimsatt and Beardsley talk about the "success" of the poem, they understand the whole critical enterprise, - including its theoretical underpinnings-- the question of what is a poem, - the question of how should we best read it-- to be still geared toward literary evaluation.
大家应该发现,当文萨特与比尔兹利谈到,诗歌创作的“成功“一词时,他们完全理解了文学评论体系,这包括适用于文学评估的理论根基-,就是那些关于什么是诗歌,还有我们如何解读的问题-,这些都对文学评估很重要。
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