They do, but it doesn't intersect quite as intensely as musical notation does in Western cultures.

他们的确有,但他们的记谱法并没有贯穿文化的始终,比不上音乐记谱法在西方文化中的地位

耶鲁公开课 - 聆听音乐课程节选

Most cultures around the world, if you stop and think about it, don't use musical notation.

很多世界上的其他文化,如果你停下来想想,并不使用音乐记谱法

耶鲁公开课 - 聆听音乐课程节选

Let's see how some music is made in other cultures.

让我们来看看其他文化中音乐是如何创作的

耶鲁公开课 - 聆听音乐课程节选

Musical notation was the first graph in Western culture.

音乐记谱法是西方文化中第一种图示法

耶鲁公开课 - 聆听音乐课程节选

So musical notation: the first grid pattern in Western culture-- but it does lock us in in interesting ways that we may-- you perhaps have never considered-- compared to how music is made in other cultures.

因此音乐记谱法,是西方文化中最早的网格图示,但这也限制了我们以某种有趣的方式,你们也许从来没有想过的方式创作,相对其他文化中音乐创作的过程而言

耶鲁公开课 - 聆听音乐课程节选

And every musical culture around the world-- and I've talked with ethnomusicologists about this particular point-- every musical culture around the world, Chinese, Japanese, Indonesian, Indian, African whatever, they all use this phenomenon of octave duplication in their music-- octave duplication in the music.

世界各地的每一种音乐文化,我曾经和一些民族音乐学家谈论过这一点,世界各地的每一种音乐文化,中国的,日本的,印尼的,印度的,或是非洲的,大家都有这种现象,即在自己的音乐里运用,这种重复八度

耶鲁公开课 - 聆听音乐课程节选