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Bishop's sandpiper poet, there in your handout, is obsessed with the mere details of experience, those sand grains, quartz grains.
毕肖普写鹬的那首诗，你们的讲稿上有，被零星的描写经验的细节所累，描写了那些谷物和石英岩。
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He's narrating in great detail what happened while he was in the womb. Where does this knowledge come from?
他花了很大笔墨很详细地描写了,他还在子宫里发生的事，但他是怎么知道的呢？
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It's the passage from Spenser's cave of Mammon canto that describes this same scene of violation, the violation of mother earth.
这是斯潘塞笔下描写贪神之洞的长诗的篇章,它描述了对于大地母亲粗暴冒犯的场景。
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This is a key to his character; these two episodes are the two that we're given of Moses' life.
这也是他性格的一大特点;,这是我们所看到描写摩西生平的两个片段。
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How do you describe the politics, if you like, of such a position?
你们会怎么描写政治，如果让你们，描写这种情景下的政治？
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Throughout history Jews have been upset at the portrayal of Shylock in "Merchant of Venice," not a very nice guy.
一直以来,犹太人都很不满,《威尼斯商人》中所描写的夏洛克“,一个坏家伙。
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He has this whole group of people out somewhere on the American frontier and they're a kind of a cult.
他描写了来自于美国边界某处的一群人,他们是一群狂热分子
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Most of you have read Virginia Woolf's Mrs. Dalloway, and you should recognize that her treatment of in Mrs. Dalloway is a treatment of a traumatized war victim.
多数人应该都读过弗吉尼亚，伍尔夫的《戴洛维夫人》,那么你们应该发现，书中作者描写塞普蒂莫斯，史密斯,的治疗方法就是治疗战后创伤患者的方法。
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I went back and studied this boom rather extensively by --there's one book written about it.
我追溯且彻底研究了这段繁荣,有一本描写此内容的书
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But Plato's Socrates is necessarily poles apart from Aristophanes' Socrates depiction of him as a sort of sophist who makes the weaker argument the stronger.
但柏拉图的苏格拉底必然不同于,亚里斯多芬尼斯对苏格拉底的描述,后者将他描写成是,让虚弱申辩转强的诡辩家。
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The tradition is aristocracy; that's what we connect with the polis, and of course, it was natural, because it also fit into the world of the Iliad and the Odyssey, which they were accustomed to think about.
他们的传统是贵族政府,这是我们该和城邦联系起来的政体,当然,这也很自然,因为这也符合《伊利亚特》和《奥德赛》中的描写,他们习惯于用这样的方式去思考
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Now I asked you to read for today, and I'm hoping you remember some of the reading, the canto from Spenser's Faerie Queene that features the cave of Mammon.
现在我要求你们为今天的课阅读，且我希望你们能从中记住一些东西，斯潘塞的长诗《仙后》，这篇描写了贪欲之神的洞穴。
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It's here that Milton for no explicit, or no apparent, reason at all - it's here that he provides a little theoretical digression on the stunning flexibility of angelic bodies.
但在这他无缘无故的，没有任何明显原因的,-在这儿他脱离了诗歌主线,转而去描写天使身体惊人的灵活性。
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And yet, I would contend that the part about the Essex actually running over him is quite compelling. At least I feel it when I read it.
然而，我的确觉得，埃塞克斯往他身上碾过去的场景描写很,扣人心弦，至少我读到这时，是这么觉得的。
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The poetry that Yeats wants from this place, the place that the fisherman takes him to, it's going to be cold and passionate as he describes it.
叶芝想从诗里这个地方得到的，渔夫把他带往的，正如他所描写,将会是寒冷而有激情的。
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Some scholars think this actually was originally a psalm about Baal that was simply adopted and referred to Yahweh.
很多学者认为这一段赞美诗其实是描写Baal的,后来被改编用于指代耶和华。
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Notice here how Yeats images what is at the core of Christ's birth.
注意这让叶芝是怎么描写,基督诞生的核心内容的。
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It's almost as if the flower passage is Milton's reward for having written the Saint Peter passage.
似乎描写花朵的段落是对于弥尔顿,描写过圣彼得的章落之后的奖赏。
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And Milton reasonably alerts his reader to the timeliness of a lot of the material that would be covered in this poem.
弥尔顿合乎情理的向他的读者们,发出了这首诗所要描写的大量内容的警戒。
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Contrast his images of joyous or demonic assent with the images of catastrophe, of descent, of collapse in Eliot, "London Bridge is falling down."
对比他关于喜悦或着迷的描写,这些都是和灾难，对衰退的描写，或者艾略特描写的崩塌“伦敦桥在倒塌“，相一致的“
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Finally, Dante alludes to this image of the Virgilian underworld in The Inferno when he describes the descent of humanity, the evil seed of Adam, into the Christian hell.
最后，但丁又在中描述到人性的败坏,亚当在基督教的地狱中撒下的邪恶种子时，含沙射影了维吉尔关于地狱的描写。
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Now we will never know, and don't let anyone ever suggest to you that you will ever know, what Milton could possibly mean by this deliberately perplexing image of the two-handed engine at the door.
我们永远不会知道,弥尔顿在这句描写门边的双手引擎的,刻意的意象叠加里想要表达什么。
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Well, how does Yeats stand in relation to the events he's describing?
那么，叶芝是怎么处理,他和他所描写的事件的关系的呢？
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Milton has his hero, Samson, bewailing the fact of his blindness: "O dark, dark, dark, amid the blaze of noon irrecoverably dark, total eclipse without all hope of day!"
弥尔顿描写到自己崇拜的英雄参孙悲叹自己失明：,黑暗，黑暗，黑暗，在正午的光辉中,无法改变的黑暗，黯然的没有一点希望“
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What do we make of these odd moments of description?
我们如何去理解这些奇怪的描写？
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Look at the Hughes. This is line eighty of Samson.
看到休斯版本描写参孙的第80行。
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There are nonetheless a few details from the classical underworld that he seems to have lifted more or less wholesale and one of them - I'm going to ask you to look at page 246 in the Hughes.
然而弥尔顿书中还是有一些描写传统地狱的小细节,他似乎多多少少大规模地盗用了那些细节,我想让你们看《力士参孙》一书的246页。
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In chapter 3 we have the account of crossing the Jordan River.
在第三章中有对渡过约旦河的描写。
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