And he poses for this photo as an intake photo as he enters St. Elizabeth's Hospital for the Insane in Washington.
这是他在入住华盛顿圣伊丽莎白精神病院时,所拍的入住照片。
I just photographed his star on a pavement. I love him, well.
我刚刚拍了他在星光大道上的星星。我很喜欢他。
You get an image of Milton here twitching his blue mantle, his cape over his shoulder, and dusting his hands and letting us know that that's over.
从中你们可以看到一幅弥尔顿撕扯着丝巾的图象,他的斗篷搭在肩上,拍了拍手,好让我们知道都结束了。
He walks me out and puts his hands on my shoulder, " and says, "thank you very much for doing the interview."
他送我出门,拍着我的肩说,“多谢接受我们采访“
And here is another, another image by Evans of the bridge.
这是他拍的另一张桥的图片。
He just keeps on. Bogdanovich reports him being very gloomy about the time the documentary was made, because how he was treated by the profession.
他一直在奋斗,博格达诺维奇说,他在纪录片拍出来的时候,情绪很低,这都是因为他在事业上受到的对待。
But he brings, in effect, the sound of the downbeat in a beat early, gives it a little bit of pep there at that particular point.
但是他,事实上,把强拍的音提前了一拍,在这个位置添加了一丝刺激
In the documentary, Welles mentioned that he doesn't like watching other people's films.
在纪录片中,威尔斯提到,他不喜欢看其他人拍的电影。
In Crane, in his great poem The Bridge- and here's another photo by Evans, this time of Crane on the rooftop of the apartment building in Brooklyn, 110 Columbia Heights where he lived and where he began the poem, with the bridge in the background.
在克莱恩杰出的诗篇《桥》里-,这里还有埃文斯拍的另一张照片,这次克莱恩站在他位于布鲁克林区,哥伦比亚高地,公寓楼的屋顶上,他就是在此开始创作诗篇,背后是布鲁克林大桥。
He feels like it sort of takes away his innocence as a filmmaker. Then also in the reading, he mentioned that he doesn't believe that you need any film knowledge to make a good movie. You just need an understanding of culture and of human history.
他感觉那样有如夺走了他作为一个电影制作者,所需要的纯真,在阅读材料中,他还提到,他认为要拍一部出色的电影,其实并不需要任何专业知识,只要对文化和人类历史有所了解就可以。
He brings his opening note, that F-sharp, in a beat early.
他把他的起始音,升F,提前一拍
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