So the exodus is a paradigm for salvation, but it would be a mistake, I think, to view the Exodus as the climax of the preceding narrative.
出埃及是救赎的范本,但我认为,这也许是个错误,把《出埃及记》当做前面叙述的高潮。
I think we're meant to understand that he is so focused on the question of redemption that he fails to see anything else; he fails to see anyone else in his preoccupation with that problem.
我想我们得知道,他正被救赎的问题所困扰,在他被次纠缠时,他看不到任何事;,也看不到任何人。
Now, on Monday you're going to hear about this novel's confrontation with the idea that art could be saving, that it could somehow be redemptive, but here I think is a hint that it's something that the novel simply laughs at hollowly.
星期一我们将会将到这部小说对,艺术已经被拯救,某种程度已经被救赎这个,观点的对质,但我想提示大家一下,那只是这部小说空洞嘲笑的观点。
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