• But the unmistakable physicality of the heaven imagined in the poem about Diodati gives us some idea, I think, of how to read the end of Lycidas.

    但在关于迪奥达蒂的这首诗中弥尔顿所想象的,天堂的物质性是无可置疑的,这能给我们一些启发,帮我们理解《利西达斯》的结尾。

    耶鲁公开课 - 弥尔顿课程节选

  • We're up there in heaven thinking about our lives in the future, as people, and what would we do?

    我们天堂某处思考着将来,生而为人的生活,我们会怎么做?

    耶鲁公开课 - 金融市场课程节选

  • The heaven imagined here is able actually to supply us, in fact, with a better body than the one we had down here.

    弥尔顿在这里想象的天堂其实能给我们,比在地上时更好的躯体。

    耶鲁公开课 - 弥尔顿课程节选

  • So let's listen to Mozart's depiction of hell and heaven here.

    那么,让我们来听下莫扎特,在这里对地狱和天堂的描述吧

    耶鲁公开课 - 聆听音乐课程节选

  • But more importantly still--those are all crucial but there's an extra ingredient as well-- he thinks he's got good reason to believe, when he dies he's going to go, basically, to what we'd call heaven.

    更重要的是,当然前面几点也很重要,但是还有更重要的一点,他觉得他有理由相信,他死后他将去到一个,我们通常称为天堂的地方

    耶鲁公开课 - 死亡课程节选

  • The similes work not to sew everything up but make it impossible for us to maintain anything like the official position on a moral distinction between heavenly good and satanic evil.

    这些比喻不是为了简单的拼凑,而是让我们不能,维持住任何天堂之善与撒旦之恶之间的,清晰的官方界限。

    耶鲁公开课 - 弥尔顿课程节选

  • And so Milton writes : "And when we return to our native Olympus" and in a classically oriented poem such as this a phrase like "our native Olympus" would always serve to signify the Christian heaven.

    所以在83页他写到:,“当我们回到奥林匹斯山“,在古典主义的诗里,如这句,“我们的奥林匹斯山“通常象征着基督教的天堂

    耶鲁公开课 - 弥尔顿课程节选

  • Milton wants the reader to know that she's fallen, we are all fallen, and any problem that we have in understanding the theology of heaven and hell is our problem as fallen readers.

    弥尔顿希望读者认识到她在堕落,我们也在堕落,以及我们在理解天堂中遇到的任何问题,以及地狱式我们这些堕落了的读者们的心魔。

    耶鲁公开课 - 弥尔顿课程节选

  • Not just that, but the moral certainties that may have seemed distinct when we contrasted the ethereal heaven with the spotty and the imperfect nature of Satan and of the moon -those, too begin to seem fairly hazy.

    不仅如此,其中看起来有所不同的,当我们对比天堂和撒旦与月亮的不完美时,其中道德的确定性,-那些令人模糊朦胧的事务,也开始崩塌。

    耶鲁公开课 - 弥尔顿课程节选

  • As soon as Milton describes for us the events in heaven that lead up to the Nativity, he begins the this is the prelude of the poem, it's broken up in to two chunks: the prelude and then what Milton calls the hymn he begins the third stanza of the prelude to his poem with a plea to the Heavenly Muse for inspiration.

    弥尔顿一给我们描述引导基督诞生的天堂的事情,他就开始描述,这就是诗歌的开端,分为两部分:,这个开端还有弥尔顿称之为颂歌的部分,他开篇的第三段用了,对天国的缪斯寻求创作灵感的请愿。

    耶鲁公开课 - 弥尔顿课程节选

  • For all we know, Ivan Ilyich still believes in souls, believes he's going to go to heaven and so forth.

    我们都知道,Ivan,Ilyich始终相信,自己的灵魂会上到天堂

    耶鲁公开课 - 死亡课程节选

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