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We're going to have some that change, and we're going to work through this progressively in just a moment.
接下来我们要听一些有改变的了，等一下我们就要逐步研究它的改变。
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All right? Now let's listen to a little bit more of this, and something interesting happens to the beat.
明白了吗,现在让我们再听一段,有趣的是乐曲的节拍
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We receive the electric signals from each tip, we tell which neuron is listening to, we get that color piece.
我们从每个电极端接收到电子信号，我们说明去听哪个神经元，这样就得到了一张彩色图片。
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He stuttered and fluttered his hands and said, "Ah, ah, you must listen to, hear." We listened all ears, but he forgot what he wanted to say. "Really, listen. Ahem. Look.
两只手交握着说：,“嗯--嗯--你们一定要听我说“,我们听着，可是他忘了他想说什么“真的听我说--嗯，你瞧。
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We also know of a very early Semitic work, the Epic of Atrahasis, in which there's a flood.
我们也听过古老的闪米特人，《阿特拉哈西斯》中大洪水的传说。
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Today we have different kinds of music to substitute for the flute but you get the point.
今天我们听不同的音乐,取代了长笛,但你可以想象一下。
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This is an exciting week in science in general because we got to hear another Nobel Prize every morning pretty much. So, let's settle down for a second and start listening.
这周在科学界是个激动人心的一周,因为我们每个早上,都能听到一个诺贝尔奖，让我们来听一听。
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The fan of the soul begins to want to protest, "Look, we're not just robots.
灵魂的支持者开始想要抗议,听着,我们不是机器人
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Now,here we move into a history that is the kind of old style history.
我们来听一段历史,属于老生常谈的那种
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So, we could create and understand sentences that we never heard before.
因此,我们能够创造和理解,那些我们未曾听过的句子
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how many beasts we heard talking good French like that?
我们听过多少“野兽“像那样讲流利的法语？
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We've heard a defense, a couple of voices for the defense.
我们已经听了多种版本的辩护了。
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We're going to hear a lot of the note right above the dominant wanting to pull down to the dominant.
我们会听很多高于基音的音符,想下行靠近这些基音
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A good example--we used it a moment ago-- of a disjunct melody is-- Can we all sing that?
我们之前听过的一段曲调,是一个跳进旋律的典型例子,我们大家一起唱好吗
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So let's listen to We've got two more cuts to do and then i'll let you go.
让我们再听,两个片段,然后下课
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You understand that it is, or might be, but listen." We all listened.
不用再说了，你一定理解，或者也许，可是听着！“我们都听着。
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All right, let's hear from some critics.
好吧，我们来听些批评意见。
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So that's how distant I am from all of this but let's listen to a little of this.
这就是我和流行音乐的距离,但我们还是来听一下
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Well, we've got a skippy Beethoven music but here with Tchaikovsky he's coming down, just straight down, down consecutive intervals there for the most part.
我们听过贝多芬的曲子,非常跳跃,但在柴可夫斯基的乐曲里,音高急转直下,动机部分连续出现音程下降
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So that's our dominant preparation and then the melody starts, so let's listen to this.
到此属音准备结束，旋律开始，我们来听一下。
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So let's listen to just a little bit more and I think--Well, let's listen.
让我们再多听一点,我认为,我们还是先听一下
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Okay, and let's listen to just a little-- we're going to pause it there.
好了,我们就听一点,我们就暂停在那里
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So, let's listen, we're not going to-- I think Lynda has it set here.
下面,大家一起听,我们不是要...,我想琳达已经设定好了
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It's the beginning of his Ring cycle and we're going to listen to this.
我们将要听的是开头部分。
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Let's listen to just a section of this. We should have this.
我们来听听上一段,我们应该听得到
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How do we hear harmony?What are we listening for again?
我们要怎么听和声？，我们应该重点听什么？
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So we can hear the begining So what about that?
让我们再听一次开头,那么觉得怎样呢
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We'll listen to the end of that in just one moment.
马上我们就要听完整首乐曲
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We'll run about thirty seconds over as we listen to the "Lacrimosa" Out of the "Dies irae" Out of the Requiem Mass of Wolfgang Amadeus Mozart written in Vienna 1791.
我们要多听三十秒,《末日经》里的《落泪之日》,沃尔夫冈·阿玛迪乌斯·莫扎特的《安魂弥撒曲》,写于1791年维也纳
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We had that very interesting piece last time, "Polish Oxcart" where he used this principle of low sounds produce sound waves that stay forever and we hear those low sounds first and last.
上次我们听了一段很有意思的曲子,《牛车》,当时他运用低频声音,持续时间长的原理,我们在最初和最后听到的都是低音
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