• Because they have so many history behind them ,so much national religious attachment that those things come out so strongly there.

    因为有很多历史,国家宗教的感情在里头,这些因素就很重要。

    普林斯顿公开课 - 人性课程节选

  • Of course, all these items in the knapsack are evocative and what they do is they suggest a plot.

    而这些东西都能唤起士兵的回忆感情,它们作为线索。

    耶鲁公开课 - 文学理论导论课程节选

  • And when you take that beyond even a personal relationship, when you love people, you wanna share.

    当你让爱超越个人感情的时候,当你爱所有人,你想要他们分享。

    普林斯顿公开课 - 人性课程节选

  • Sometimes people don't realize that the relationship they're in is abusive-- it's psychologically or emotionally abusive.

    有时,人们没有意识到,自己被虐待-,心理感情上受虐待。

    耶鲁公开课 - 心理学导论课程节选

  • Presumably related to their own feelings, but it's not a biographical thing.

    这大概是因为它自己的感情紧密相连吧,但它并不是现实的东西。

    麻省理工公开课 - 电影哲学课程节选

  • He argued that in 586, with the destruction of Jerusalem and the people were taken into exile in Babylon, that was when, in Babylon, the priests were able to assume control, and they were able to play on the exiles' overwhelming feelings of guilt and failure.

    他在586年争论,当耶路撒冷被摧毁,人们被驱逐至巴比伦时,就是彼时彼地,牧师们能够实行控制,他们能利用流放者们汹涌的感情,他们的罪恶感失败感。

    耶鲁公开课 - 旧约导论课程节选

  • So unlike those modern dualists who think we need to appeal to something immaterial in order to explain bodily sensations, Socrates thinks no, no, the body takes care of all the bodily sensations, all the desirings and the wantings and the emotions and the feelings and the cravings.

    而现代的二元论者,认为需要用非物质的东西,来解释肉体上的感觉,但苏格拉底不这么想,他认为肉体负责所有的肉体上的感觉,所有的欲望,需求,感情,感觉渴望

    耶鲁公开课 - 死亡课程节选

  • It's poetic and lyrical and if William James characteristically writes that way.

    充满了诗意感情,如果这是威廉,詹姆斯的写作特征。

    耶鲁公开课 - 心理学导论课程节选

  • I don't want to really know that much about you, I don't want to really share anything of me with you, but I am committed to maintaining this physical attraction to you" Well, that's what Sternberg calls "fatuous love."

    关于你,我不想了解太多,也不想你分享我的秘密,但是我承诺,你保持这种肉体关系“,斯腾伯格把这种感情叫做愚蠢式爱情“

    耶鲁公开课 - 心理学导论课程节选

  • The relationship between the depth of the speaker's feeling and the obscurity of Lucy in the world is the irony that the speaker wants to lay hold of and that reconciles what seem like disparate facts in the poem.

    说话者感情的深度,Lucy现实世界的阻碍,是一种讽刺,说话者试图,在诗里协调不可能的事情。

    耶鲁公开课 - 文学理论导论课程节选

  • when Steven Spielberg tried to get us to entertain the notion that computers and robots are sentient moral beings he did not show us one that looked like this .

    当史蒂芬斯皮尔伯格,想让我们认为,电脑机器人是有感情有道德的,他没有让我们看到这个。

    耶鲁公开课 - 心理学导论课程节选

$firstVoiceSent
- 来自原声例句
小调查
请问您想要如何调整此模块?

感谢您的反馈,我们会尽快进行适当修改!
进来说说原因吧 确定
小调查
请问您想要如何调整此模块?

感谢您的反馈,我们会尽快进行适当修改!
进来说说原因吧 确定