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Yeats sees the Second Coming as an image, as a myth, an idea, a metaphor, a certain stylistic arrangement of experience.
叶芝把第二次降临看成一个意向，一个神话，一个意识，一个比喻，一种诗意的安排和感受。
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But we've expanded the list of goods so it includes external goods and not only experiential or internal goods.
但是我们扩展了美好事物的定义,所以它包括物质方面的美好事物,而不仅是经验和内心方面的美好感受。
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Spending 20 minutes walking allows me to be in contact with what is season like, and what is the day-to-day change and the weather.
每天花上二十分钟走路，这让我,感受到了每个季节的不同，也感受到了每天的变化和每日的天气。
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He's continually seeking a good from within his own religious and from within his own literary sensibility.
他坚持从他自己的宗教和文学感受中,寻找好的东西。
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And so the question is, "How does a thing like that give rise to consciousness and subjective experience?"
我们的问题是,"类似这样的事物是如何让我们,产生意识和主观感受的"
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This is to get the feel of the duple and the triple. So see what you can do.
这两个动作,能让你亲身感受两拍和三拍,试试看吧
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Yeats is describing his interaction with and his distance from Pearse and the others in that first stanza, and then in the second.
叶芝在描述他对此的感受,他和皮尔斯那些人离得很远,他在第一节诗里谈到这个，在第二节诗中。
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How many people had the same phenomenon?
谁和我一样有这种感受？
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But, and here's the crucial point of this objection, there's another side or another aspect to emotions and feelings.
但是,这个反驳的关键点在于,情绪和感受还存在另一面
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You may come to an entirely different conclusion from the person through whom the poem was written.
你的感受可能会和,作者的感受截然相反。
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So, let's listen to this bit of klezmer music go back and forth between minor and major.
让我们感受下这段犹太音乐,它在小调和大调之间转换
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Let's just say it's me provided that there're desires, goals, memories, ambitions, feels.
在于拥有同样的,渴望，目标，记忆，野心和感受。
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If the dualist comes and says, "Can't you just see that it's not remotely possible, it's not conceivably possible, for a purely physical object to have experiences, to have qualia?"
如果是二元论者,他们则会走过来说,你没觉得吗,一个纯粹的物理对象,能够拥有体验和感受性的可能性,简直微乎其微,就连想想都觉得难以置信
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