So the criterion is: is it relevant to the unified form that we as critics are trying to realize in the text?
所以,这里的标准是:,隐含的意义是否和文本的一致性有关,而这正是我们作为文学批评家,要通过文本实现的?
In other words, a connotation is valuable and ought to be invoked even if it's philologically incorrect if it contributes to the unity, the complex building up of the unity, of the literary text.
也就是说,如果隐含意义是文本更具有一致性,它就是有价值,且值得探究的,即使从语言学角度说,它是不正确的。
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