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This question of determinism is as important in the discourse of literary theory as the question of skepticism.
在文学理论的话语中,决定论的问题和怀疑论的问题是同等重要的。
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Because we're as skeptical about skepticism as we are about anything else we're likely to raise our eyebrows and say, "Hmm. Doesn't this guy Foucault think he's an author?
因为我们对怀疑论的怀疑,肯定和我们扬起眉毛质疑其他事物是一样的，我们会说：“嗯，这个叫福柯的人自称是作家吗？
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That kind of skepticism about the foundations of knowledge has further implications for Hobbes' views on such things as religion and religious toleration.
这种对于知识基础的怀疑论,对霍布斯在宗教和,宗教宽容的观点上,有进一步的意义。
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That's the evasion, the evasion of skepticism, to which I would offer the following reply.
这就是怀疑论的回避方式，对此我给予如下回应。
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The hyper-skeptical point of view taken by scholars in Europe in the nineteenth century was eroded very sharply by the discovery of places that really convinced pretty much everybody that there was a Troy, and that there was a Mycenae.
以致十九世纪欧洲学者的,怀疑论观点遭到了无情的反击,因为历史遗迹的的发现,确实说明了特洛伊和迈锡尼,都曾存在过
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All of that is the legacy of literary theory, and as I say, it arises in part from the element of skepticism that I thought it best to emphasize today.
这都是文学理论的遗产，我说过，它部分源自于怀疑论元素,我想最好在今天强调一下。
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The name of the evasion is skepticism, it's the idea...It goes something like this.
这种方式就是怀疑论，大致的意思是。
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Well, this is the question raised by the skeptic about skepticism or about theory and it's one that we're going to take rather seriously, but we're going to come back to it because there are ways, it seems to me, of keeping this question at arm's length.
这是由对怀疑论或理论持怀疑态度的人提出来的问题,也是我们要认真探讨的，但是我们还会回来继续讨论，因为对我而言，我们需要和这个问题保持一定距离。
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Immanuel Kant described very well the problem with skepticism when he wrote "Skepticism is a resting place for human reason, where it can reflect upon its dogmatic wanderings, but it is no dwelling place for permanent settlement."
康德曾很贴切地描述了怀疑论的不足,他写道，怀疑论是人类理性暂时休憩的场所，是理性自省，以伺将来做出正确抉择的地方，但绝非理性的永久定居地“
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