He adds to this image that is perfectly, sufficiently filled with grotesquery as it is -- he adds this next phrase: "and mad'st it pregnant."

他进一步描绘这幅景象，这是完全荒诞不经的了--下一句他写道：,“使它怀孕“

耶鲁公开课 - 弥尔顿课程节选

I've been following her career, yeah, forever. She's pregnant now. That's great.

我一直关注她，是的，永远关注。现在她怀孕了，真好。

演技也是练出来的 - SpeakingMax英语口语达人

It's with this image of a brooding impregnation that Milton announces the presence in his poem of his most potent, what I think is the most interesting, theological innovation that he comes up with here.

正是通过这个孵伏怀孕的形象,弥尔顿在这里宣告了他在这首诗中,最具潜力，最有趣的神学新观点。

耶鲁公开课 - 弥尔顿课程节选

And, if you skip over to 215, this image comes back of this mother: "All cars had disappeared except his station wagon. His pregnant young wife was now getting into it with her baby and the other more or less canceled child."

还有，如果你翻到215页，这个妈妈的形象会再次出现：,“所有的车都不见了，只剩下他的小汽车，他,他怀孕的妻子正抱着婴儿上车，那个惹是生非的小男孩,也上去了“

耶鲁公开课 - 1945年后的美国小说课程节选

My wife is pregnant.

我的太太怀孕了。

I need 实战 - SpeakingMax英语口语达人

And then,lo and behold it turns out that his widow, to whom he confessed various infidelities before expiring, was pregnant; indeed,he was the father.

之后,他的遗孀怀孕了,他在断气前向她承认曾经有过不忠,但他确实是孩子的父亲

耶鲁公开课 - 1871年后的法国课程节选

I think it's safe to say that we're intended to be shocked, ; maybe even repulsed, by this remarkable description of the deity; and so I'm hoping you feel something of a shock of these lines, "and mad'st it pregnant." Milton is taking a huge aesthetic risk here.

通过这不同寻常的对神的刻画，弥尔顿，应该是想要让我们震惊，甚至厌恶的;,因此我希望你们因这几句感到些许震撼，“使它怀孕“，弥尔顿在这里为了美感不惜冒了很大的险。

耶鲁公开课 - 弥尔顿课程节选

So poor Lily is also an orphan, at least in the emotional sense, if not in actual reality. Her father, of course, had run off from her mother right after she had gotten pregnant, and then I suppose he came back.

可怜的莉莉也是个孤儿，至少从感情的角度上看是,如果你认为在现实情况不是，她的父亲，当然，在她母亲怀孕后,就开溜了，然后我猜测他又回来了。

耶鲁公开课 - 1945年后的美国小说课程节选