He is Lear, Romeo, Oedipus, Tiresias; he has stepped out of a play and even the woman he loves is Rosalind, Cleopatra, never The Dark Lady.

他是李尔王，罗密欧，俄狄甫斯，忒瑞西阿斯;,他从戏剧中走出，他爱的女人是,罗莎琳德，埃及艳后，而不会是黑影夫人。

耶鲁公开课 - 现代诗歌课程节选

Now it has to be said that Mary Astell's image of Milton is probably the product of a much closer reading of Paradise Lost than Lady Mary Chudleigh's was.

不得不说，玛丽·阿斯苔对弥尔顿有如此印象,很可能是因为她对《失乐园》的解读,比玛丽·恰德莱夫人的更加细致。

耶鲁公开课 - 弥尔顿课程节选

He's the very voice of traditional wisdom for some, as he was for Lady Mary Chudleigh.

对于一些人来说，正如对玛丽·恰德莱夫人，弥尔顿是传统智慧的发言人。

耶鲁公开课 - 弥尔顿课程节选

Now, one of the earliest -- and I think this is a remarkable fact - one of the earliest citations of Paradise Lost that actually appears in print in the seventeenth century comes from the proto-feminist writer Lady Mary Chudleigh.

最早的--我认为这很重要,-17世纪最早的以印刷形式出现的,对《失乐园》的引用,来自于原型女性主义作家玛丽·恰德莱夫人。

耶鲁公开课 - 弥尔顿课程节选

Like Lady Mary Chudleigh, Woolf holds up Milton as a powerful authority.

如同玛丽·恰德莱夫人，伍尔夫把弥尔顿当成有力的权威。

耶鲁公开课 - 弥尔顿课程节选

It's been said that to quote anybody is necessarily to misrepresent him, and this fact is obviously a very good thing for Lady Mary Chudleigh since Milton would certainly not himself have wanted to suggest that women are superior to men.

有这样一种说法，引用任何人的话都难免曲解其原意，很显然这对玛丽·恰德莱夫人的论证是有利的,因为弥尔顿的原意绝对不可能是说,女人的地位要高于男人。

耶鲁公开课 - 弥尔顿课程节选