-
But for Milton's contemporaries in the seventeenth century, Milton's power really wasn't at all aesthetic or even religious in nature.
但在17世纪弥尔顿同时代的人看来，弥尔顿的力量却是毫无美感的，甚至本质上不是宗教上的。
-
The passage is also famous because in it Milton does something that he almost never does. Milton has made a mistake.
这篇文章有名也是因为弥尔顿做了一些,他几乎从未做过的事，弥尔顿犯了一个错误。
-
Is Milton powerful for the very straightforward reason that he's in possession of this tremendous literary strength, this unimaginable talent?
弥尔顿之所以强大是因为他有,无穷的文学力量，不可想象的天赋这显而易见的原因呢？
-
Milton has wrenched this poem away from Christianity, and he's forced it into a direction that we could loosely call paganism.
弥尔顿的诗歌偏离了基督教，走了我们可以不严谨的称为异教的方向。
-
Milton devotes a lot of time in Areopagitica to making a number of attempts to distinguish licensing from censorship.
弥尔顿在《论出版自由》中花了很大功夫,试图区分出版许可管理和出版控制。
-
Milton surveys the wealth of literary tradition before him, and he resists its allure without the help of any human guide.
弥尔顿在他之前就调查过文学传统的宝藏，他在没有人帮助的情况下抗拒了这一诱惑。
-
It's fitting that the first poem of Milton's that we study in this class is "On the Morning of Christ's Nativity."
这节课我们首先学弥尔顿的,《圣诞清晨歌》是很合适的“
-
She represents a power that might enable Milton perhaps someday actually to fulfill, to consummate his much-anticipated poetic promise.
她象征着一种力量,也许有一天那力量可以，使弥尔顿圆满完成他那备受期待的理想诺言。
-
Now in these two books we've seen Milton dig up and discard just about the entire tradition of epic poetry.
现在在我们看到的两册书中弥尔顿,挖出并丢弃了所有史诗的传统。
-
In Lycidas, Milton looks back at the Elder Brother's theodicy, and it's almost as if he's attempting to test its validity.
在这首诗中，弥尔顿回顾了《科玛斯》中哥哥的斯奥迪斯，似乎是在验证斯奥迪斯正确与否。
-
I think it takes your breath away to think of the unspeakably high hopes that John Milton had for his career.
我觉得像弥尔顿这样说出自己对职业如此高的希望,是很让人吃惊的。
-
Look now, and this is on the handout, at the letter that Milton had written to his friend, Charles Diodati.
现在看讲义上,弥尔顿写给朋友查尔斯·迪奥达蒂的信。
-
No English poet before Milton ever suggested that he had been chosen by God at birth to be a poet.
在弥尔顿之前没有英国诗人敢说,自己是被上帝选中去做诗人的。
-
So the reasons for this really enormous shift in plans, and the enormous shift in subject matter, are worth exploring.
弥尔顿的计划变化为何如此之大，他对主题的选择为何有这么大的改变，是值得探究的。
-
Now we can't neglect the first question here, which is at least for me: did Milton really believe this?
现在至少对我来说，我们不能忽略一个问题：,弥尔顿真的信这个吗？
-
Milton wrote his epic in lines of unrhymed iambic pentameter or what we call, and what Milton would have called, blank verse.
弥尔顿的史诗由不押韵的抑扬格五音步诗句写成,我们，还有弥尔顿都称其为无韵诗。
-
The rhetorical strategy that Milton uses to give us this perspective of eternity is what Geoffrey Hartman called Milton's counter-plot.
弥尔顿习惯于展现给我们的修辞性的手法,这种永恒的看法正是被哈特曼称为,弥尔顿的反策略。
-
Milton's lines, we say, are enjambed: they run in to one another, and a syntactical unit for Milton is continually spilling out.
弥尔顿的诗句是连结的：，它们句句相撞，弥尔顿总不在一句话中将一个意思表达完整。
-
It's also a subject that we can find in the reading journal that Milton kept for the better part of his life.
它也是弥尔顿阅读笔记中的一个主题,那份阅读笔记是弥尔顿在其人生最美好时光中保存下来的。
-
The genius of Fish's reading of Milton's similes is to understand the particularly time-bound nature of Milton's verse.
费什解读弥尔顿的比喻的天赋,能够帮助我们理解弥尔顿的韵诗在特定时代下的本质。
-
The hymn, what Milton calls the "humble ode," that follows this introduction is the poem that Milton wants to present to the Lord.
紧接着我们介绍的颂歌“,弥尔顿叫它“谦逊的颂歌“,就是弥尔顿想给上帝看的那首诗。
-
We've looked at Milton's earliest poem, or what Milton wants us to think of as his earliest poem, from a couple of different perspectives.
我们已经看了弥尔顿最早期的诗歌，或者说弥尔顿希望我们认为是他最早的诗，从一些不同的角度。
-
It wasn't until 1645 at the age of thirty-six or thirty-seven that Milton would publish his first volume of poems, which he titled simply Poems.
直到1645年他36或37时,弥尔顿才出版了第一部诗集，就叫《弥尔顿十四行诗集》
-
Milton's bogey seems to be the specter hovering over women poets or women writers who may find in Milton an identification of poetic strength with masculinity itself.
弥尔顿的惑众谣言似乎是指依附在女诗人,和女作家心中的幽灵，她们在弥尔顿身上发现,诗的力量与男性力量本身是同源的。
-
When Milton met him, Galileo would have been old and blind, not unimportant to the later Milton, and Galileo was under house arrest at his home in Fiesole.
当弥尔顿遇见他是，伽利略已经又老又瞎，而这点对后来的弥尔顿至关重要，伽利略当时被软禁在他菲索尔的家中。
-
At the very moment that Woolf advises women readers to look past Milton's bogey, she finds herself in the peculiar position of echoing the poetry of John Milton.
伍尔夫劝女性读者不去理会,弥尔顿的惑众谣言的时候，发现自己处境尴尬,因为她需要附和弥尔顿的诗歌。
-
How troubling though -- this seems undeniable -- and how strange that Woolf really at her most radical is echoing the very words of the power that she's opposing!
多么让人不解--但这又是不可否认的--多么奇怪,伍尔夫在她最激进的言论中附和弥尔顿的字字句句,而弥尔顿的力量正是她所反对的！
-
Actually we have Milton's commonplace book, his reading notes, and you can find it all in English translation in volume one of The Complete Prose Works of John Milton.
事实上我们有弥尔顿的那本普通的书，他的阅读笔记，你们可以找到完全的英译本,在弥尔顿全部散文作品的第一卷。
-
It's Woolf's image that's probably the one that's most firmly rooted in the minds of Milton's readers today.
伍尔夫对弥尔顿的刻画可能是,如今弥尔顿读者们心中对他最深刻的印象了。
-
After all, this is an extremely pious Puritan. But as late as the 1640s, this was not at all the epic subject that Milton was intending to use.
不管怎么说，弥尔顿是个很虔诚的清教徒，但是到了17世纪，40年代的时候，弥尔顿都根本没想过要写这个主题。
应用推荐