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For example, he begins by borrowing the Russian formalist distinction in trying to explain what fiction is between plot and story.
举个例子，他开篇在解释那种文体介于情节和故事之间时,借用了俄国结构主义的特点。
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We are beings, he argues again in the opening chapters, whose fundamental characteristics as human beings are willing and choosing.
我们是众生,他在开篇几章中重申,我们作为人最根本的特征,就是意愿和选择。
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So returning to Genesis 1, We have an absence of theology and mythology in the sense of a biography of God in this opening chapter And that means the absence of a meta-divine realm.
好，现在回到《创世纪》的第一章，这里并没有宗教信仰也没有神话传说,在开篇中也没有上帝的传记,这也就意味着没有一个无量的国度。
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Who but Milton could speak the poem's famous opening lines?
除了弥尔顿还有谁能说出这著名的开篇之句？
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So now I want to turn to the beginning of the book on page 7.
现在我说一下书的开篇,第七页上的内容。
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Right, OK. So what I do to open the book is to ask the reader to image that they walking past a shallow pond, maybe somewhere in the park or or university campus.
好的，我在这本书的开篇,请读者想象这样一个画面，你走过,一个浅浅的池塘，可能是公园里,或是大学校园里。
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The first thing is the emotion of an individual man.
开篇首先表现的是一个人的个人情绪
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The chapter begins with a temporal clause which is unfortunately often translated "In the beginning," which implies that what follows is going to give you an ultimate account of the origins of the universe.
它以时间状语开篇,但不幸的是，它常被翻译为“开始的时候“,这暗示着接下来它将会为你展示,大量关于宇宙起源的描述。
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So let me first say a little bit about the story line, and some of the themes at the beginning of Exodus, the first six or seven chapters.
首先再让我大概介绍一下故事，以及在《出埃及记》开篇中的一些主题，开始的六七章。
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Now you'll remember from our discussion of the opening invocation to Paradise Lost, that insistent bid that Milton was making: the bid to be first.
现在从我们对失乐园开篇,的讨论中可以得知，弥尔顿一直坚持的是：,敢为天下先。
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It starts off with a narrative about a vision.
它以一段预言为开篇。
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From one point of view, reading Hobbes, his account of the state of nature seems to derive from his physics of motion and rest, in the opening chapters of Leviathan.
一方面，阅读霍布斯，他关于自然状态的解释似乎,来源于他关于运动和静止的物理学，这也在《利维坦》的开篇章节。
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The Iliad begins in-- the first word in the Iliad is the accusative noun I am singing about the wrath,the anger Achilles which brought so many men to their doom, is what Homer says.
伊利亚特》是以--,就是个表达愤怒的宾格名词,盛怒,狂暴mēnin, it's wrath, anger.,《伊利亚特》的开篇第一个字 "我要歌颂那个盛怒,狂暴的阿喀琉斯,他将许多豪杰强健的魂魄打入了冥府",这是荷马说的
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But in any event, Deuteronomy is not simply the concluding book of the Pentateuch, ; or the story that began in Genesis; it's also the first part of a much larger, longer literary work, as I mentioned last time, a work that runs from Deuteronomy through to the end of 2 Kings.
但无论如何，《申命记》不是摩西五经的终结篇，或者说是自《创世纪》开始的故事;,它也是一部更宏观长远的作品的开篇，我上节课提到过，这部作品从《申命记》一直到《列王记》结束。
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In our consideration of Genesis 1 and 2, We first need to consider a Babylonian epic, an epic that is known Enuma elish By its opening words at the top of the column over there, Enuma Elish, which means "when on high," the opening words of this epic.
在我们学习《创世纪》第一章和第二章时，我们首先要了解一部巴比伦史诗,它因开篇第一句被人们所知，它的意思是，当在天国时，这就是开篇的话。
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As soon as Milton describes for us the events in heaven that lead up to the Nativity, he begins the this is the prelude of the poem, it's broken up in to two chunks: the prelude and then what Milton calls the hymn he begins the third stanza of the prelude to his poem with a plea to the Heavenly Muse for inspiration.
弥尔顿一给我们描述引导基督诞生的天堂的事情,他就开始描述,这就是诗歌的开端，分为两部分：,这个开端还有弥尔顿称之为颂歌的部分,他开篇的第三段用了,对天国的缪斯寻求创作灵感的请愿。
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The Odyssey begins even more strikingly with the word andra, the accusative of anar,the accusative case of a man, and he says,sing to me goddess about that man, that man of many devices,that clever man Odysseus.
奥德赛》有个更引人注目的开头,以单词andra开篇,anar的宾格形式,一个人的宾格形式,他说,"女神向我歌颂那个男人,那个足智多谋的男人,奥德修斯"
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Virgil had written a poem in the Sixth Eclogue that had touched Milton, and it had touched Milton, I think, because it begins with Virgil's own brooding meditation on the course of his poetic career.
维吉尔在里的一首诗触动了弥尔顿，之所以这首诗能够触动他，是因为那首诗是以维吉尔本身关于诗歌职业的,忧伤的沉思，开篇的。
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