We could get away with just 23 Sodium you could write sodium like this.
从23,钠,我们就知道了,你就可以像这样写钠。
I've got two states here, three states here, two here, I need four, and if I can come up with these bonds, four, by the Hund rule I'd fill them like this.
我们已经有2个状态在这里,3个在这里,2个在这里,我需要4个,如果我能想到这些键,四个,通过洪特规则,我们就能像这样排布。
We didn't just need that n, not just the principle quantum number that we needed to discuss the energy, but we also need to talk about l and m, as we did in our clicker question up here.
我们不仅需要n,不仅要这个可以,决定能量的主量子数,还需要m和l,就像我们做这道题这样。
So if we have a third, we can just introduce it like this and so things start to line up a lot more nicely.
所以如果我们有第三个,我们可以像这样引进它,这样代码就排得漂亮多了。
He's spoken of anthropomorphically, so that we can capture his interaction with human beings. This is the only way, Kaufman says, you can write in any meaningful sense about the interaction between God and humanity. So he has to be anthropomorphized.
上帝像人一样说话,这样我们就能和他交流,这是唯一和上帝对话的方式,你可以从各个方面写下上帝与人类的相互作用,因此上帝必须富有人性。
But Hobbes lived at a time when the modern system of European states even as we understand them today, was just beginning to emerge.
霍布斯生活在一个时代,这个时代中,现代欧洲国家,就像我们今天理解的这样,已经快要出现了。
We get to modern conditions where we something like this.
我们进入了现代社会,就像这样的情况
Well, with the first movement we said he's generally going and that kind of idea, but now it's and we'll explore this when we get to harmony, this idea of major and minor so we're going music and now and that's a change from the dark minor to the brighter major.
在第一乐章,我们说过它大体上,就像这样,但现在,我们讲到和弦时再来研究这个,大调和小调的概念,我们继续听音乐,还有这个,这就是小调到大调间的转变,由阴郁转向明亮
So what I want to do is, I want to lay this out a little bit more formally as a game, since we haven't done anything like this for a week or so, we're going to play the game.
我想做的是,把这个安排得更正式一点 就像博弈一样,因为我们已经大约一个星期没有这样做了,我们将做这个博弈
s Here you would have a 2s, here is a 2s, and when the two of them smear we end with something that looks like this.
这里一个2s,这里一个,当这两个发生拖尾时,我们就像这样结束它。
Let's pause it there, and as we said last time, it operates in that fashion, and that beginning gives us a good opportunity to make a distinction between two types of melody, between this idea of a motive and a theme.
稍微停一下,就像我们上次所说的那样,它是这样,编排的,乐曲的开始乐段给了我们很好的范例,来区分两种旋律类型,区分动机和主题
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