God creates the world and then sort of, as Milton says himself, "uncircumscrib'd withdraws," right? God is not there.

上帝创造了这个世界，然后，就像弥尔顿说的，“退出了“，是吗，上帝不在结构之中。

耶鲁公开课 - 文学理论导论课程节选

The thematic problems that Milton is attempting to tackle are written into the very grammar and the syntax of the poem.

弥尔顿想要处理的主题,就在诗歌的语法和句子结构里边。

耶鲁公开课 - 弥尔顿课程节选

The very structure, in fact, of Milton's poem here is what Dr. Johnson would be obliged to call a remote allusion.

约翰逊称弥尔顿这首诗的结构,是遥远的幻境是不得已的。

耶鲁公开课 - 弥尔顿课程节选

One of the structural elements that lends Areopagitica its curious power is a carefully crafted network of images that Milton has employed to structure the thing.

一个保持着《论出版自由》的奇妙力量的,结构上的重要因素是弥尔顿构架这本著作的,精心制作的网状的人物形象结构。

耶鲁公开课 - 弥尔顿课程节选

This structure -- and this is something that's important for Milton to convey to us -- is genuinely beautiful. It's not entirely clear that Milton wants us to think of Pandemonium as unambiguously evil.

这个结构是弥尔顿认为应该传达给我们的,很重要的事，它实在是很美，尚不清楚弥尔顿,是否想让我们决得这地狱是绝对的邪恶。

耶鲁公开课 - 弥尔顿课程节选

Now given this, the romance frame of Milton's Comus, - we're not surprised actually to see -- even though we don't see at the end her actually getting married, we're not surprised to see the Lady in this speech embracing the form of chastity that promises something like an eventual turn to marriage.

这样看来，弥尔顿《科玛斯》的传奇结构，我们实际上并不诧异看到-,虽然我们没有看到她最终结婚了，我们看到这个演说的女士,拥护承诺像是最终转向婚姻的贞节时,并不感到诧异。

耶鲁公开课 - 弥尔顿课程节选