Now this on page 2. This is how he talks: All this time Dean was telling Marylou things like this.

这是在第二页，他这样说：,一直以来安总是对玛丽露说些这样的话。

耶鲁公开课 - 1945年后的美国小说课程节选

Now it has to be said that Mary Astell's image of Milton is probably the product of a much closer reading of Paradise Lost than Lady Mary Chudleigh's was.

不得不说，玛丽·阿斯苔对弥尔顿有如此印象,很可能是因为她对《失乐园》的解读,比玛丽·恰德莱夫人的更加细致。

耶鲁公开课 - 弥尔顿课程节选

And he began to write back, first to his fiancee who quickly became his wife, Mary, and he was really worried about all the slaves he owned.

随后他就开始写回信,首先给他的未婚妻玛丽,不久便结婚了,并且他对他所拥有的奴隶充满忧虑

耶鲁公开课 - 美国内战与重建课程节选

He's the very voice of traditional wisdom for some, as he was for Lady Mary Chudleigh.

对于一些人来说，正如对玛丽·恰德莱夫人，弥尔顿是传统智慧的发言人。

耶鲁公开课 - 弥尔顿课程节选

So Milton for Astell is hardly the embodiment of orthodoxy that he is for Lady Mary Chudleigh.

因此，对阿斯苔来说，弥尔顿不是那个,玛丽·恰德莱心目中代表正统的标志。

耶鲁公开课 - 弥尔顿课程节选

And he's the voice of political subversiveness for others, as he was for Mary Astell.

对于另一些人，正如对玛丽·阿斯苔，他又是政治颠覆的代表。

耶鲁公开课 - 弥尔顿课程节选

Now, one of the earliest -- and I think this is a remarkable fact - one of the earliest citations of Paradise Lost that actually appears in print in the seventeenth century comes from the proto-feminist writer Lady Mary Chudleigh.

最早的--我认为这很重要,-17世纪最早的以印刷形式出现的,对《失乐园》的引用,来自于原型女性主义作家玛丽·恰德莱夫人。

耶鲁公开课 - 弥尔顿课程节选

It's been said that to quote anybody is necessarily to misrepresent him, and this fact is obviously a very good thing for Lady Mary Chudleigh since Milton would certainly not himself have wanted to suggest that women are superior to men.

有这样一种说法，引用任何人的话都难免曲解其原意，很显然这对玛丽·恰德莱夫人的论证是有利的,因为弥尔顿的原意绝对不可能是说,女人的地位要高于男人。

耶鲁公开课 - 弥尔顿课程节选