• You'll find Eve in Book Nine of Paradise Lost voicing essentially this same sentiment when she's explaining to Adam why she needs to work separately.

    你会在失乐园第十部看到夏娃说出了实际上是,同样的意见,当向亚当解释,需要和他分开工作的时候。

    耶鲁公开课 - 弥尔顿课程节选

  • It's also about Helen and her action and her answer. On 156 he reflects.

    这还关于海伦,的行为的答案,在第156页,思考道。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • Now the Lady responds to what we can think of as his aristocratic debauchery with an economic theory of her own, and we haven't looked at that yet.

    这位女士以我们可以想到的方式做出回应,由于对提出的图利的理论和他本身的贵族气息的放荡,这一点我们还没有读到。

    耶鲁公开课 - 弥尔顿课程节选

  • But at one point he just says to her, "Me and you Sethe, we got too much yesterday, we need more tomorrow."

    但是那时说,"我你,塞丝,过去经历的太多,我们要更好的拥抱明天"

    耶鲁公开课 - 美国内战与重建课程节选

  • Our hero sacrifices himself so that the woman he loves can have the man that she loves.

    主人公牺牲自己成就了爱的女子爱的人。

    耶鲁公开课 - 死亡课程节选

  • You've had a lot of experience with him or her.

    和他有很多的接触。

    耶鲁公开课 - 心理学导论课程节选

  • We're told later that he stops sleeping with her because he just can't get it out of his mind. He'd rather sit and wonder.

    我们之后直到了不再睡觉因为,无法摆脱自己奇怪的想法,宁愿坐着瞎想。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • And then, I'm going to skip down a little bit: Though she never again called back any image of the dead man to dress up, pose, talk to and make answer, neither would she lose a new compassion for the cul-de-sac he'd tried to find a way out of, for the enigma his efforts had created.

    接下来,我会跳过一些内容往下说:,虽然从没有想起过,那个死人穿衣、摆弄姿势、,说话回答问题时的样子,也不会失去对他的同情,对尝试摆脱,无路可走的困境所付出的,谜团一般的努力。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • But nonetheless she can hear the riot and ill-managed merriment of Comus and his riotous crew.

    但虽然如此还是可以听到喧哗,Comus混乱的嬉戏和他狂闹的随从。

    耶鲁公开课 - 弥尔顿课程节选

  • So, he was speaking with his Lamont Cranston voice the last time that she spoke to him.

    所以,当最后一次,和他说话时,用了Lamont,Cranston的声音。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • They were playing slaves and masters, and he was the master, and she was the slave. So, he's imagining their future and talking about it with Magda when they're older.

    们在扮演奴隶主人,是主人,是奴隶,正在想象们的未来,当们老了的时候会跟Magda谈起今天的事。

    耶鲁公开课 - 1945年后的美国小说课程节选

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