-
The nativity of Christ, as you can imagine, was a popular subject for early seventeenth-century poets for pious early seventeenth-century poets.
基督诞生，你可以想象，对17世纪的诗人来说是很受欢迎的主题,特别是那些虔诚的17世纪的诗人。
-
With this first poem treating the subject of the nativity of Christ, Milton is able implicitly to announce something like his own nativity as a poet.
因为它的主题是基督诞生，弥尔顿能够含蓄的宣告一些东西,比如他作为一个诗人从此诞生了。
-
Notice here how Yeats images what is at the core of Christ's birth.
注意这让叶芝是怎么描写,基督诞生的核心内容的。
-
The elegiac tone of this final section of the poem should give us some clues to the type of victory over paganism that Christ's birth is actually heralding here.
诗歌最后一部分采用挽歌的口吻意在,告诉我们打败异教后的成功,预示着基督即将诞生。
-
What Milton is primarily interested in in his Nativity Ode is the redemption, the promise of what Christ's Nativity will do at some future point for mankind.
弥尔顿在基督诞生颂歌里最感兴趣的是,救赎，基督诞生后在将来,在将来能为人类做些什么。
-
as we've seen, establishing a fiction that works to place himself at the scene of a nativity that obviously occurs 1600 years and change before his own birth.
我们也看到了，他创建了一个虚构的景象,把自己放进了基督诞生的幻景中,而这些比他出生早1600年发生并不断在改变。
-
His contemporaries are doing a kind of thing with their representation of the birth of Christ that Milton seems carefully to have avoided.
他的同龄人都在描述基督的诞生,而这正是弥尔顿极力避免的。
-
He is also saying that the birth of Christ in Bethlehem was a nightmare for the world it altered, the world that it changed utterly a change that Yeats sees as the end now of the Christian Era and not its fulfillment.
他还说,基督在伯利恒的诞生,是一个噩梦，因为世界因此改变，彻底变了,叶芝把这个改变,看作基督时代的终结,而不是它的圆满。
-
As soon as Milton describes for us the events in heaven that lead up to the Nativity, he begins the this is the prelude of the poem, it's broken up in to two chunks: the prelude and then what Milton calls the hymn he begins the third stanza of the prelude to his poem with a plea to the Heavenly Muse for inspiration.
弥尔顿一给我们描述引导基督诞生的天堂的事情,他就开始描述,这就是诗歌的开端，分为两部分：,这个开端还有弥尔顿称之为颂歌的部分,他开篇的第三段用了,对天国的缪斯寻求创作灵感的请愿。
应用推荐