• And again, Kafka invites us to imagine waking up into a body of a cockroach and we can.

    这里,卡夫卡再次带领我们去想象,觉醒来却变成只甲虫的场景,而我们是可以想象到的

    耶鲁公开课 - 心理学导论课程节选

  • I don't know if you know this, but for a long time when movies took place in New York,

    我不清楚你是否知道,很长段时间,电影里发生在纽约的场景

    电影里的中央车站 - SpeakingMax英语口语达人

  • Now, I want to look at page 231, 232. This is one of those passages that Nabokov points out as being special to him. This is Lolita playing tennis.

    现在让我们跳到231,232页,这是纳博科夫提到的,对于他有特殊意义的段,它描述了洛丽塔打网球的场景

    耶鲁公开课 - 1945年后的美国小说课程节选

  • Later writers take this poetic image and fill out the allusion to - drowning in this ancient song, and compose the prose accounts in Exodus 14, in which the metaphor is literalized.

    随后,作者利用这个场景,用这个古老的歌谣进行影射,创作了这段白话诗,《出埃及记》14,在这段文字中的暗喻被文学化了。

    耶鲁公开课 - 旧约导论课程节选

  • The heaven in this poem is so far from being the incorporeal - the spiritual heaven of orthodox Christianity that you have an image of an actual orgy, the festal orgy raging under the thyrsus .

    这首诗所描绘的天堂与正统基督教所宣扬的,非物质的,精神的天堂是如此大相径庭,弥尔顿描绘了副纵欲狂欢的场景,在神杖下纵欲狂欢。

    耶鲁公开课 - 弥尔顿课程节选

  • And he describes it and it's terrifying.

    他记述了这可怕的场景

    耶鲁公开课 - 1871年后的法国课程节选

  • This then leads to a very different discussion because A play is not a piece of text. A play is a living thing That is meant to be performed by actors in a particular setting. Different actors with different directors interpret the words of Shakespeare to the best. We can construct those words differently.

    这引起场很不同的讨论,因为部戏剧不是篇文章,而是活物,是要被演员在特定的场景下,表演出来的,不同的演员,和导演尽可能去诠释莎士比亚的文字,我们可以以不同方式建构这些文字。

    麻省理工公开课 - 媒体、教育、市场课程节选

  • Now, that's a very important point, because why in the world would you give a shield of the kind I am describing, for a man to defend himself, if you imagine him standing by himself anywhere, if you imagine him any distance from the rest of the guys fighting alongside of him.

    这点非常关键,那就是到底为什么要将,这样种盾牌,给士兵们使用,想象下这个场景,这个士兵在战场的某个角落孤军奋战,与其它友军士兵相隔甚远

    耶鲁公开课 - 古希腊历史简介课程节选

  • Well, apparently Richard in real life did not refuse to make those changes. And imagine, in a book that then undergoes this publishing history that I have described, this is kind of a symbolic scene.

    很明显,现实生活中的理查,并没有拒绝那些修改,想像下,经历上述出版过程的本书,这是象征性的场景

    耶鲁公开课 - 1945年后的美国小说课程节选

  • Why does Wright choose this scene?

    为何怀特选择这场景

    耶鲁公开课 - 1945年后的美国小说课程节选

  • Why start with this scene?

    作为开头,为什么选这场景

    耶鲁公开课 - 1945年后的美国小说课程节选

  • What better way to drive home the point that inhumanity and violence undermine the very foundations of society than to describe a situation in which a cosmic catastrophe results from human corruption and violence.

    我们应该铭记在心的点是,任何非人道的行为都会侵蚀人类社会存在的根基,而不是简单的描述个人类因其堕落和血腥,招致的场大灾难的场景

    耶鲁公开课 - 旧约导论课程节选

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