• So there are a lot of acoustical things and sort of tricks of synthetic things going on in pop music.

    所以流行音乐中有很多声学的东西以及合成的技巧里面。

    耶鲁公开课 - 聆听音乐课程节选

  • Music? Well, it's, really what I enjoy doing is just like of all the jobs I've ever had,

    音乐,嗯,所有我做过的工作音乐是我最喜欢的,

    我是摇滚音乐家 - SpeakingMax英语口语达人

  • Okay, that's a little bit of this ambiguity between major and minor in a piece of traditional Jewish music.

    好了,大调和小调,传统的犹太音乐中有些含糊的地方

    耶鲁公开课 - 聆听音乐课程节选

  • So in "At a Solemn Music" and in the poem "Arcades," Milton turns to what he considered to be the greatest song of all: the music of the heavenly spheres.

    所以庄严的音乐“和诗歌的“商场““,弥尔顿指出了他认为的最美妙的音乐:,天体音乐

    耶鲁公开课 - 弥尔顿课程节选

  • And he never continue, he never went on with music after that. As I mentioned in the chapter, he did write the song of Mr. Kane.

    那之后,他没有继续他的,音乐事业,我书的,那一节提过,他写了《公民凯恩》的配乐。

    麻省理工公开课 - 电影哲学课程节选

  • See the merry limbs in hot Highland fling Because some wizard vermin Charmed from the quiet this revel When our ears were half lulled By the dark music Blown from Sleep's trumpet.

    看那苏格兰高地舞欢快的四肢,因为一些男巫,神往陶醉于这狂欢,当我们的耳朵半听着,黑暗音乐边的是小号的声音。

    耶鲁公开课 - 现代诗歌课程节选

  • In any event, in music we have different strands and these strands can be organized in different ways.

    不管怎样,在音乐中有不同的线,而这些线可以用不同的方式组织

    耶鲁公开课 - 聆听音乐课程节选

  • And musical notation is relied on more in Western music than any other musical civilization around the world.

    音乐记谱法西方音乐中更受倚重,比全世界其它音乐文明地位更高

    耶鲁公开课 - 聆听音乐课程节选

  • Now in music as you probably know-- we've already talked a little bit about this-- we have the importance of the beat.

    你们也许知道在音乐中节拍很重要,我们已经讨论过一些,节拍的问题

    耶鲁公开课 - 聆听音乐课程节选

  • All of these we'll have to be thinking about as we listen to music in this course.

    所有这些都是我们上这门课程,聆听音乐时需要思考的

    耶鲁公开课 - 聆听音乐课程节选

  • The beat's very important in music and generally speaking, in music, we divide the beat.

    节拍很重要,通常来讲,在音乐中,我们把节拍进行了划分

    耶鲁公开课 - 聆听音乐课程节选

  • We have it in music. We have it in history.

    我们在音乐中也有,我们历史上也有

    耶鲁公开课 - 聆听音乐课程节选

  • So in our course we are only going to have two types of meter, These organizations taking the beat and organizing it into groups, is called superimposing meter on the music.

    所以我们的课程,只会出现两种拍子,这些组织方式将拍编组,在音乐中称为拍子的叠加

    耶鲁公开课 - 聆听音乐课程节选

  • Somebody's up there going and it's actually the bass so we'll be wanting to zero in on the bass in a big way in music because that's oftentimes giving us much more information than the melody.

    有些人那唱,事实上那是低音,所以我们在音乐中,主要将注意力集到低音上,因为大多数情况下,相比旋律而言,低音给我们的信息更多

    耶鲁公开课 - 聆听音乐课程节选

  • Well, those sorts of answers, those sorts of issues, are the sorts of things that we'll get to when we come to the question of musical style toward the end of the course.

    这一系列答案 一系列议题,我们都会接近课程结束之时的,音乐风格问题进行探讨

    耶鲁公开课 - 聆听音乐课程节选

  • He's going to close it back down here with death and he's going to close it back down using a process that we frequently encounter in music, and that is this idea of dissonance resolving to consonance.

    他要描述生命从繁华喧嚣走向寂灭,他要用一种我们常在音乐中邂逅的方式,描述生命从繁华喧嚣走向寂灭,这就是使不和谐音解构为和音,这个理念

    耶鲁公开课 - 聆听音乐课程节选

  • Like in popular music there's often a couple of verses and a chorus and a bridge and you can predict each different movement of the piece, and that's more regular than-- Couldn't say it better myself.

    就像流行音乐中有很多的曲段,副歌,和过渡乐节,这样你就可以预测到音乐的每一个变化,这样就比别的要规则-,光我一个人不好说太细。

    耶鲁公开课 - 聆听音乐课程节选

  • I alone of English writers have consciously set myself to make music out of what I may call the sound of sense.

    我自己作为一名英国诗人有意地,我称作感性的声音写出音乐感。

    耶鲁公开课 - 现代诗歌课程节选

  • Having talked just a little bit about genres, we could conclude by saying there are other kinds of genres in music of course.

    通过对音乐风格进行探讨,我们可以断定,古典乐,还有其他风格的音乐

    耶鲁公开课 - 聆听音乐课程节选

  • Is this a travesty to use a violin with hip-hop here?

    嘻哈音乐中用到小提琴会不会很滑稽

    耶鲁公开课 - 聆听音乐课程节选

  • You're going to hear the violins play a running scale, If our beat is this, what note values are in the music of the violinists at this particular moment?

    大家待会要听段小提琴演奏连续音阶,如果我们这样打拍子,这个特定的时间点,这段音乐中小提琴手演奏的时值是什么

    耶鲁公开课 - 聆听音乐课程节选

  • We all know that there is this thing in music called "Beat" and to the extent that popular music is more interesting and that you-- everybody likes it and will go dance to it is because it's really foregrounding beat and rhythm in an important way that classical music does not.

    我们都知道在音乐中有种概念称作,拍,这也就是为什么流行音乐,从某种意义上说会那么好听,大家都会喜欢,并且愿意随之起舞,就是因为它把拍和节奏,摆显要位置,而古典音乐就不是这样

    耶鲁公开课 - 聆听音乐课程节选

  • Okay.So that's an example of a classical composer, admittedly in a pretty straightforward situation, using the same three-chord chord progressions we find in the Beach Boys.

    好,以上我们举了一个古典作曲家的例子,诚然这个选段的结构比较简单,直接了当,它所用的包含三个和弦的和弦进程与我们Beach,Boys音乐中分析的相同。

    耶鲁公开课 - 聆听音乐课程节选

  • So here in the G Minor Symphony we feel as--oh, it's so full of tension, angst,anxiety, perhaps passion, it's driving somewhere, and one of the things that's driving it is its accelerating rate of harmonic change.

    G小调交响曲里我们能感觉到,哦,音乐中充满了紧张,揪心,焦虑,甚至激情,这些感情正向某个方向涌去,吸引它们的力量之一就是不断加速的和声变化率。

    耶鲁公开课 - 聆听音乐课程节选

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