• You'll find Eve in Book Nine of Paradise Lost voicing essentially this same sentiment when she's explaining to Adam why she needs to work separately.

    你会失乐园第十看到夏娃说出了实际上是,同样的意见,当她向亚当解释,她需要和他分开工作的时候。

    耶鲁公开课 - 弥尔顿课程节选

  • At any one time, there's about, I think, 50 or 60 different productions in the West End here in London.

    任何时候,我想想,大概都有50或者60不同的成品剧伦敦西区上演。

    廉价看音乐剧的方法 - SpeakingMax英语口语达人

  • And let's have a look at the movies concerned here and we'll draw there's three possible movies.

    我们来看看有哪些影片上映,我画一下表格,有三电影档期

    耶鲁公开课 - 博弈论课程节选

  • Once again, there is that moment of suspense that the reader is able to get through with a kind of pleasurable excitement and then overcome as the moral is actually revealed.

    同样,还存一刻的悬念,让读者能带着愉悦的兴奋感读完整作品,接着寓意揭露之后,悬念结束。

    耶鲁公开课 - 文学理论导论课程节选

  • I've passed through Grand Central Station when filming was happening. I don't know what they were filming though.

    有一次我从那儿经过,正好有电影拍。但我不知道他们拍什么电影。

    电影里的中央车站 - SpeakingMax英语口语达人

  • in Cocteau. but it is a suggestion that in Disney, but it's different but I'm talking about Cocteau ? the rose?

    是谷克多电影里的,但这里有个暗示,暗示着迪士尼电影,但又有所不同,不过我谈论的是谷克多那,玫瑰花?

    麻省理工公开课 - 电影哲学课程节选

  • We've just talked about one of them-- the melody and the violins up above.

    我们已经说到了其中一条,高声的小提琴和旋律

    耶鲁公开课 - 聆听音乐课程节选

  • It's a kind of realism, of course. Nevertheless, there it is in front of us, and again I call you back to that quotation. What are we going to see when we look at the fiction? Do we see what's in front of us?

    当然这也是一种现实主义,然而,这些就我们眼前,我想再次将你们的注意力集中到那句引语上,当我们阅读这,小说时,什么情景会呈现你眼前呢,我们能看到什么吗?

    耶鲁公开课 - 1945年后的美国小说课程节选

  • In William James, maybe the case-- because the elevator-- it does take two hours to get there for the door to close.

    William,James大厅也许会遇到这种事-,因为那电梯-,运作得太慢。

    哈佛公开课 - 幸福课课程节选

  • Then, in the last book of the Republic, Book X, there is, once again, a descent to the underworld, to the world of Hades.

    接着,《理想国》的最后一,第,X,,再度下降到阴间,地狱的世界。

    耶鲁公开课 - 政治哲学导论课程节选

  • And some in the previous films, they've changed stuff,

    之前的几电影里,他们改变了一些东西,

    哈利•波特的人气 - SpeakingMax英语口语达人

  • where Tom Hanks is dancing on the keyboard,

    电影中,汤姆•汉克斯键盘上跳舞。

    小心超额消费 - SpeakingMax英语口语达人

  • And they had flying penguins in the show.

    片子里有会飞的企鹅。

    I used to实战 - SpeakingMax英语口语达人

  • The houses prominently featured in that show.

    这些建筑剧中很显眼。

    旧金山的热点 - SpeakingMax英语口语达人

  • if that's something you're familiar with - in which the interaction of real people with what are called "Toons" in that film is part of the film's pleasure. The boundary between different levels of reality is crossed.

    如果你们对这个比较熟悉的话,电影里一个被称为“Toons“的卡通形象和真人互动“,这是那电影的好玩之处,那里不同层面现实的边界交叉了。

    耶鲁公开课 - 弥尔顿课程节选

  • Now, it used to be in the old days before I had kids, I could list off 15 current movies and help you a bit more with your dating strategy by giving you instant movie reviews, but now I have kids, I get to see precisely two movies a year, and the two movies I got to see this year were The Bourne Ultimatum and the Good Shepherd.

    我有孩子之前,我能列出15热映的影片,我还能给你们提供不错的影评,帮助各位制定约会策略,但是现我当爸爸了,我每年只能看两电影,我今年看的两就是,《谍影重重》和《特工风云》

    耶鲁公开课 - 博弈论课程节选

  • So we'll focus on the bass and we'll try to sing the bass, and if we find that in singing the bass our voice is not changing, probably the harmony hasn't changed.

    把我们的注意力放到低声上,尽量唱出低声,如果唱的过程中我们觉得自己的声音没有变化,那和声就很有可能没有改变。

    耶鲁公开课 - 聆听音乐课程节选

  • And then in the next page he's going to take that same rising line and assign it to the basses.

    然后下一页里,他将把同样的上行曲调线,安排低音

    耶鲁公开课 - 聆听音乐课程节选

  • He represents what will later be called in the Republic the appetitive part of the soul, the appetites.

    他代表的是稍后《理想国》中,所谓灵魂欲望的份,众多的欲望。

    耶鲁公开课 - 政治哲学导论课程节选

  • We finished Black Boy last time, and one of the big questions coming out of my discussion of that autobiography is: how do you manage the question of context in reading a novel or an autobiography--in reading any text?

    我们上次讲完了《黑孩子》,关于那自传的讨论中随之而来,的一个重要问题是:,当你读小说、自传或者其他文本时,怎么处理上下文?

    耶鲁公开课 - 1945年后的美国小说课程节选

  • Although it is easy to remember that later in the dialogue most of their contribution seems to be " of the form of "Yes Socrates, no Socrates," they seem to be rather passive interlocutors.

    但很明显地,他们稍后对话中的,绝大份贡献似乎是反复的,“Yes,苏格拉底,“、,“No,苏格拉底“,他们是相对被动的对话者。

    耶鲁公开课 - 政治哲学导论课程节选

  • The most famous climb upward, although we will not actually read these parts for this class, concerns the climb to the divided line, the famous image of the divided line in Book VI, and the ascent to the world of the imperishable forms.

    最著名的向上攀升,但我们不会实际,本课中阅读,这些关于攀升到分界线的段落,著名的分界线景像出现第,VI,,上升到,不朽形式的世界。

    耶鲁公开课 - 政治哲学导论课程节选

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