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Once we get up there, that's sort of the end of the antecedent phrase and we have a chord change.
前分句在这个高音部分结束，那是前分钟的结尾和弦发生转变。
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It's got exercises for you to do so at the end of each chapter, you do have a task to do.
里面为你准备了练习，所以在每章的结尾，你都有任务要完成。
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Now, the simile concludes with the strong sense of a hideous change -and you will recognize this pattern again and again in Milton -the hideous change undergone by the fallen angels.
这个比喻用一个强烈的可怕的转折来结尾,-你们会在弥尔顿的诗里一再看到这个特点,-一个堕落的天使们遭受到的可怕的转折。
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And if you've read the ending in the notes, you'll remember those passages where he asks that question.
你会对他结尾部分，提问的段落印象深刻,在正式版本中。
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And at the end of the reaction, you have the reactor consumed of titanium tetrachloride magnesium.
在反应的结尾时，反应器里面,消耗了四氯化钛和镁。
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At the end of the movie when we first watched the movie you gave us a quote?
在电影的结尾,我们看的时候,有一段引语？
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There's an orgasmic element in what Derrida has in mind, so that when he speaks of "the seminal adventure of the trace," toward the end of your essay, you want to put some pressure on that word "seminal."
在德里达的思想中有一种兴奋的元素，所以当他在文章结尾处“,说到，“有创意的追溯之旅“时，大家想要将重点放在，“有创意的“上“
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At the end of the dialogue, he drinks the hemlock and he dies.
在对话的结尾处,他饮下毒芹汁,走向死亡
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Hobbes may, I think, overestimate or maybe I really should say underestimate the difficulty of the book but he returns to this again at the very end of Leviathan.
我认为霍布斯高估了自己,或者准确地说是他低估了现实的困境,所以他在《利维坦》结尾部分,再次回到了这个问题上。
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They thrust together different texts, different languages, writing from different historical periods, all there, compressed in that remarkable mad song that concludes the poem.
它们将不同文字，不同语言，不同历史时代的书写，相互交织穿插，都呈现在那里，摘要叙述在一首举世闻名却又疯狂的结尾歌里。
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We've gotten to this point now: we had this big dramatic scene at the Reed Sea, but the physical redemption of the Israelites is not in fact the end of our story.
我们现在得到一个观点：我们在Reed海这里,有了戏剧性的一幕，但是犹太人肉体上的救赎,在故事的结尾也没有出现。
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It's a little bit like Aristotle's idea of catharsis, which can be understood in a variety of ways, but Milton at the end of Samson Agonistes understands it in one way when he says, Now we have as a result of this tragedy "calm of mind, all passion spent."
这有点像亚里士多德的精神发泄法理论，我们可以通过各种方法来理解，但是米尔顿在《力士参孙》一书的结尾,有另一种理解，他写道，这个悲剧使我们拥有了,“平静的精神，耗尽的热情“
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In Lycidas Milton doesn't let himself, thank God, go quite so far as he does in this amazing ending to "Damon's Epitaph."
感谢上帝，在《利西达斯》中，弥尔顿做的不像，他在《达蒙的墓志铭》的结尾那样过火“
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This -- "Damon's Epitaph" ends with a virtual orgasm of Christian consolation as Milton gives his best friend the most unbelievable sendoff that is possible to give.
这--在《达蒙的墓志铭》的结尾,弥尔顿给了他最好的朋友他所能给的最不可思议的送别礼,是真实的肉体的欢愉，同时却又是基督教的慰藉。
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The kind of feeling that he wants us to have is sort of stated in that alternate ending, but "The Horror and the Glory" shows how that kind of feeling enters in to a much larger cultural analysis.
在后来被换掉,的结尾有提到，但“恐惧与荣耀“中讲述了,如何以那种感觉进入更广泛的文化分析。
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But Milton's framing device in Lycidas only frames the end of the poem. It's asymmetrical.
但是弥尔顿在设立的框架,只是结尾的框架，并不对称。
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The universities" he says there, where he talks again a little bit about the audience for the book, "the universities," he says, " are the fountains of civil and moral doctrine.
他在《利维坦》结尾部分，再次讨论了下这本书的受众问题,然后讨论道“,大学是公民权力,和道德学说的理论源泉。
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The appearance of this semi-epic rhyme scheme here at the end of Milton's poem suggests his readiness, and he's ready only here at the end of Lycidas to embark on the epic project.
弥尔顿诗篇的最后处半史诗韵律的设计,显示了他已准备就绪，他在的结尾处依然准备好了,在史诗的创作上留下自己的印迹。
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