• If you look at page 62, it's in these little stories: Remi woke up and saw me come in the window.

    看第62页,这些小故事里就有:,雷米醒来看见我窗前。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • What Buddy does, in this passage, is set up this opposition between his own reading of his story and Zooey's.

    巴蒂所做的,这个片段,就是提出,他对自己故事的理解和左伊的之间的矛盾。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • In the tradition, one of the companions asked the prophet what's the most powerful verse in Koran.

    传统故事中,有个人问先知,《可兰经》最有力度的一句诗是什么。

    普林斯顿公开课 - 人性课程节选

  • Very often in these creations stories there is some sense of some realm from which life begins to emerge usually beginning with gods.

    通常这些创作的故事里,都会说到,神是人类的最先。

    耶鲁公开课 - 旧约导论课程节选

  • I'm going to tell you a story in which-- your--body ends up one place, and your personality ends up some place else.

    我要给你们讲一个故事-,故事里你的肉体一处终结,而你的人格会另一处终结。

    耶鲁公开课 - 死亡课程节选

  • There are a variety of ways, in other words, in which this story, just like The Rime of the Ancient Mariner, could end.

    有很多种方式,换言之,这个故事里,就像《古航海家之歌》一样,结局有很多种可能。

    耶鲁公开课 - 文学理论导论课程节选

  • Pound, you'll see keeps turning up in all of these stories.

    你们会发现庞德,这些故事里经常出现。

    耶鲁公开课 - 现代诗歌课程节选

  • So in the story Dudley is there, pen knife in hand, but instead of the prayer or before the prayer, he says "Parker, would you mind?"

    故事里达德利手拿小刀,没有做祷告,或是做祷告前,他说,派克,介意我们杀你吗“

    耶鲁公开课 - 公正课程节选

  • There are stories, horrible stories, some in the twentieth century, about children who are locked away by insane or evil parents and have never learned to speak.

    有一些很可怕的故事,其中的一些讲述的是二十世纪,被精神失常或邪恶的父母锁起来的儿童,他们不曾学会说话

    耶鲁公开课 - 心理学导论课程节选

  • Good, so in the standard story you've got these two crooks, or two accused crooks, and they're in separate cells and they're being interviewed separately--kept apart--and they're both told that if neither of them rats the other guy out, they'll go to jail for say a year.

    在故事里有两个罪犯,他们都被指控了 被分别关进了牢房,他们俩被单独提审,两人都知道如果他们不坦白,他们都要只需要坐一年牢

    耶鲁公开课 - 博弈论课程节选

  • Then there came to be questions about whether the scenes, the stories in the book, actually did happen to him.

    于是问题出现了,书的那些情节和故事是否真正他身上发生过。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • Over the course of that life, she wrote mostly short stories, and so she is very much known for her short stories.

    整个生命年华,她主要创作短篇故事,并因此声名远播。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • In another, the priests carry the Ark around the city 13 times, so scholars think there are two different accounts here woven together.

    另一个故事里,祭司拿着约柜绕城13次,因此一些学者认为是两个故事交织了一起。

    耶鲁公开课 - 旧约导论课程节选

  • What is Kaufman claiming? Okay. That's exactly the kind of stuff that should be popping into your head-What about...what about?--okay, and in section, you're going to be discussing exactly that story. Okay?

    考夫曼对此是怎么看的等等,这些都的确是,你们不假思索应该想到的,怎么看待这个,怎么看待那个,这个章节你们会详细地讨论这个故事

    耶鲁公开课 - 旧约导论课程节选

  • So in one of them Joshua's warriors seem to march silently around the city seven times.

    其中一个故事里,约书亚的战士们,不出一声地绕城七次。

    耶鲁公开课 - 旧约导论课程节选

  • The thought experiment, you recall, was one in which I imagine, I tell myself a story in which what I'm doing is I'm imagining my mind existing without my body.

    回忆一下 那个思想实验,其中我想象,我给自己讲了一个故事,这个故事里,我只是想象我的心灵独立于我的身体存

    耶鲁公开课 - 死亡课程节选

  • Mythologies are the lives or tales of the lives of gods, tales of the lives of the gods. In pagan religions the gods are born, and they live lives very similar to human lives but on a grand scale and then they die. They might be reborn too.

    神话记载了众神的生活故事,众神的一生,异教,神是受孕而生的,他们群居,并且生活习惯和人类非常相似,他们也会死亡,也许还会重生。

    耶鲁公开课 - 旧约导论课程节选

  • So, these are stories, some of them for voice and tape, and he'd do readings where he'd go and he'd put a tape recorder on the podium and he'd stand next to the tape recorder as his voice read the story from the tape recorder. And it was all to dramatize the problematic relationship between voice, story and person.

    所以,这些故事,有些事是声音,他到哪,他会台上放一部录音机,以便录音,当他读录音机故事时,他会站录音机旁,这戏剧化了声音,故事,和人之间的错综复杂的关系。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • And in this story, he doesn't have my soul.

    这个故事里,他没有我的灵魂。

    耶鲁公开课 - 死亡课程节选

  • We've got a story in which I'm thinking all sorts of thoughts; my mind clearly exists, and yet, for all that, my body does not exist.

    在故事里,我正思考着,我的心灵显然是存着的,但是,我的躯体却不存

    耶鲁公开课 - 死亡课程节选

  • I think that's also why Barth chose to write this story in the perfect short story form. And that form is also given to us in Lost in the Funhouse, on page 95, when we get the diagram of Freitag's Triangle.

    我认为这也是为什么巴斯选择用完美的短篇小说的,模式写这个故事的原因,这个模式,《迷失开心馆》也有体现,第95页,就是Freitag三角的图解。

    耶鲁公开课 - 1945年后的美国小说课程节选

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