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We already talked about the Hittite vassal treaties as a model for the Israelite covenant, when we were talking about Exodus.
我们已经将希提的纳贡条约作为以色列立约,的范本进行过研究，在我们讲解出埃及记的时候。
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But even in the prose accounts in Exodus 14 we can see a composite of two intertwined versions.
即使在《出埃及记》14的白话诗中4,我们可以看到两个版本的混合版。
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So according to Exodus, this Passover ritual was established on Israel's last night of slavery while the angel of death passed over the dwellings that were marked with blood.
根据《出埃及记》记载，犹太人的逾越节,诞生在犹太人最后一天做奴隶,当死亡天使越过每一户门口有血记号的房子的时候。
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What's interesting about the Song of the Sea, this poetic fragment in Exodus 15, is that here the Hebrews adopt the language of Canaanite myth and apply it to Yahweh.
关于海之歌那首出现在《出埃及记》15中的残诗,有趣的是，犹太人改编了迦南人的神话,套用在耶和华的身上。
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One thing that most people do in fact agree on is that the oldest account of the event is a poetic fragment 12 that's found in Exodus 15, verses one to 12, in particular.
大家都同意的一点事,这个故事的最老版本来自于诗残本,尤其体现在《出埃及记》15中的诗1和。
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The book of Exodus will relate the beginning of the process by which the promises will be fulfilled.
出埃及记》与这个过程的开始有关,在之前，许诺便已实现。
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So the Priestly materials are found as a block in Leviticus, a large part of Numbers, and then they're scattered throughout Genesis and Exodus.
在《利未记》中，与祭司相关的内容占了很大一块，有很多的数据，它们都将贯穿在《创世纪》和《出埃及记》中。
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So continuing verses 16 and 17 in Exodus 2: "Now the priest of Midian had seven daughters.
在《出埃及记》第二章16到17节也有：,“米甸的祭司有七个女儿。
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After smashing the first set of tablets that were inscribed with the Decalogue--the tablets in Exodus 20, those are smashed after the golden calf incident--Moses is then given a second set of tablets.
第一块刻有十诫的法板,在金牛犊事件之后被粉碎了，这记录在《出埃及记》,第20章里，之后，摩西又被给予了第二块法板。
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That's in Exodus 21:26-27. Moreover, the slave is entitled to the Sabbath rest and all of the Sabbath legislation. And quite importantly, a fugitive slave cannot be returned to his master.
这是在《出埃及记》第21章26-27节的描述，另外，奴隶有权,享受安息日的休息和所有关于安息日的法规，十分，重要的一点是，逃亡的奴隶不能再被归还给他的主人。
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Later writers take this poetic image and fill out the allusion to - drowning in this ancient song, and compose the prose accounts in Exodus 14, in which the metaphor is literalized.
随后，作者利用这个场景,用这个古老的歌谣进行影射，创作了这一段白话诗,《出埃及记》14，在这段文字中的暗喻被文学化了。
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And so in Exodus 23, you're going to have a law that tells you not to oppress a stranger because you were a stranger. It tells you to not plow your land in the Sabbath year immediately following that to let the poor and needy eat from it. It tells you to observe the Sabbath day rest.
在《出埃及记》第23章，你会看到有法令告诫你不要,欺压外人，因为你自己也是外人，也有法令告诫你,在安息日不要劳作，随后将收获的庄稼赠给穷苦之人,和有需要的人吃，告诫你守安息日。
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Now, the situation of the Israelites in Egypt, the text says, remains bitter. Exodus 2:23-24: ; "The Israelites were groaning under the bondage, and cried out; And their cry for help from the bondage rose up to God.
以色列人在埃及的境况，文中说，仍然很艰苦，《出埃及记》第2章23到24节：,“以色列人因作苦工，就叹息哀求;,他们的哀声达于神。
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It has other terms that give commandments about the observance of the festivals, various festivals, the dedication of first fruits to God, the dedication of first born animals to God and so on; things that were not in the Exodus 20 Decalogue.
它还给出了其它的条款，包括各种节日庆祝仪式的戒律,规定将初熟之物和头生的牲畜供奉给上帝等，这些条例在,《出埃及记》第20章里都没有出现。
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It is attributed always to God. So you see in Exodus 24:3 and 4: Moses went and repeated to the people all the commands of the lord and all the rules; and all the people answered with one voice, saying "All the things that the lord has commanded we will do!" Moses then wrote down all the commands of the Lord.
它往往归因于上帝，在《出埃及记》第24章第3，4节里提到：,摩西下山，将耶和华的命令，典章都述说给百姓听,众百姓齐声说,“耶和华所吩咐的，我们都必遵行“，摩西,将耶和华的命令都写上。
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After crossing, the Israelites then celebrate the Passover, and that makes a strong link then to the Exodus led by Moses, also at the time of the first Passover. Moses had a vision of God at the burning bush. He was told to remove his shoes, his sandals, because he was on holy ground.
过河后，以色列人庆祝逾越节，这与,在出埃及记中的摩西有鲜明的联系，也是在第一次,逾越节摩西在燃烧的树丛中看见了上帝他被要求,脱掉鞋子，他的草鞋，因为他站在圣土上。
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If you still have that sheet that was handed out before listing different epithets for Baal, and listing epithets for Yahweh it would be handy to have that, or to take a look at it later again because the description of Yahweh is that of a storm god in Exodus 15.
如果你还有以前发的讲义,上面列出了Baal和耶和华不同的表述次于,如果在手边的话，等会拿出来看看,在《出埃及记》15中，对耶和华描绘成暴风之神。
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So Collins suggests that the poem in Exodus 15 is celebrating and preserving a historical memory of an escape from or a defeat of Pharaoh and that the drowning image is used metaphorically as it is elsewhere in Hebrew poetry to describe the Egyptians' humiliation and defeat.
所以Collins，指出在《出埃及记》15中的诗中,是对逃脱或者打败法老统治的这一历史性时刻的庆祝,溺水这一画面被赋予象征意义，就像犹太诗中,经常出现描写埃及人被打败被侮辱的场景一样。
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