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It shouldn't be difficult to see a kind of problem that is beginning to arise in Milton's text here.
这是一个很容易看出的问题,在弥尔顿的作品中也被提了出来。
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it's interesting. I don't use much of that as inspiration for my own work,
很有意思。我在自己的作品中不常使用类似的灵感，
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And instead of this continual anticipation of writing something great, Milton's able to look back and find closure in something already written.
他并没有继续着写一些伟大的作品，而是追溯了过去，并在已完成的作品中寻找着终结。
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Well, in Tennyson sound is the device, "the murmurous haunt"--oh, I have no memory at all today.
在坦尼森的的作品中声音扮演同样的角色，那沙沙的萦绕之声，哦不，我记混了。
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In Ekman's work, he presents us with instructions on how to make different faces and identify faces.
在艾克曼的作品中，他给我们指导,怎样做不同面部表情并去区分他们。
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Scholars distinguish between the early Platonic dialogues, the so-called Socratic dialogues, where the thought is, those are the views of Socrates, the actual historical figure.
学者们是如此鉴别的,柏拉图早期对话作品,即,在所谓的苏格拉底的对话中,主角苏格拉底的观点,与历史上那个真实的苏格拉底的思想吻合
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Okay, so I'd say he's got about four things he's working with here.
好吧,因此我想说说他在这段作品中,重要的四个特点
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As I said at the beginning, in the philosophical literature, this has become known as the problem of dirty hands so named after a famous play written by the French philosopher Jean-Paul Sartre.
正如我一开始所说的，在哲学作品中,这已经作为脏手问题而闻名,自从法国哲学家萨特写下,一部非常有名的戏剧之后。
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In this final moment, are there, in your work, a few names of people who we should be looking at or books that we should be reading that you wanna recommend outside your own work?
在节目的最后，您作品中有没有提到一些人物,我们应该关注？,或者是我们应该读的一些书,您想在您除过自己的书之外推荐给我们的？
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The poems come to you abstracted from the contexts in which they were originally produced and read, from their place in a body of work, in a book, in a magazine, in a life that produced it.
一首首诗，从原始创作和阅读的形态,被分割的分离错杂，从它们在书，杂志，一系列的作品中，在最初的创作生命中，都是如此。
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Now his work created a sensation. It undermined of course traditional claims about the authorship of God and the work of Moses. It's still disputed by conservative groups and Roman Catholic authorities, although Roman Catholic scholars certainly teach it and adopt it.
他的作品引起了轰动，当然，它削弱了传统的关于,摩西是”上帝“这个称呼和《律法》的作者的主张,尽管天主教学者也会接受并传授他的作品，但它仍然在保守派和罗马天主教当局中备受争议。
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In one of the greatest books ever written on the South, by a Southerner, in particular Wilbur Cash's great classic in 1940 called The Mind of the South, he did something similar to Jefferson, although he's focusing only on Southerners here.
在所有由南方人撰写,关于南方的伟大作品中,韦尔伯·卡什1940年的一本堪称经典,在这本叫做《南方的精神》的书中,他如杰斐逊一般对南方人做了描述,尽管这本书中他仅描述了南方人
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So, there are multiple ways, at multiple levels, that Nabokov is defending his work in this afterword. For one thing, he insults the publishers.
因此，在这篇后记中，纳博科夫在多种不同层面上,为他的作品辩护，一方面，他侮辱他的出版商。
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There seems to be something like a gentle parody maybe even a mocking tone that fills the lines of the Elder Brother's ecstatic speech.
似乎有些东西如文雅诙谐的改编作品甚至是嘲弄的语气,体现在大哥入神的讲话中。
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And this confusion, I think, has everything to do with the fact that this is no ordinary moral that we have in this work of literature.
我认为这种惶惑，是跟一个事实有关的,就是在这部文学作品中没有我们的普通道德。
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One can see the amalgam of these two sets of ideas in his work.
读者可以在他们作品中看到两种思想的结合。
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Milton's performing a similar boundary-crossing aesthetic gesture here.
弥尔顿在他的作品中也展现了这种美学上的边界交叉。
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But from Mozart, major--difference between major and minor.
但在莫扎特的作品中,大调小调的区别
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In other words, the author, the traditional idea of the author -so much under suspicion in the work of Foucault and Barthes in the late sixties--can be turned on its ear.
换言之，有一种传统的看法就是对作者置之不理,六十年代晚期在福柯和巴特的,作品中有那么多疑点。
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We'll revert especially to the notion of "pushing" in other contexts later in the course, but for the moment you can see the way in which there is a tension between that which pulls and that which pushes which is one of the motive forces of the story.
以后我们会在,其他作品中回归“推“的本意，但是现在我们能看得出来,在推和拉之间有一种张力,这也是整个故事发展的动力之一。
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Milton will only use the word career once in his poetic oeuvre and it comes -- it will come pretty soon, actually, in Sonnet Number Seven.
弥尔顿在他的全部诗歌作品中只用过一次事业这个词,我们马上就会看到，在十四行诗的第七行。
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It's possible that in this general drama of overvaluation that Milton's working to distance himself from his own youthful interest in the virtues of virginity.
这是可能的，在被高估的戏剧中,弥尔顿的作品,让他无法投入到自己年轻时对贞操的兴趣中去。
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Okay, in the Mozart there were violins, so acoustical instruments as opposed to synthetic sound with regard to the pop music.
好的,在Mozart的作品中,小提琴,这种乐器发出的声音与那种,流行乐的合成音效是截然不同的
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So Levenson, who draws actually on long-standing work by other scholars, and earlier in the twentieth century even , Levenson finds several of the main elements of the Hittite suzerainty treaties in this speech.
所以Levenson凭借其他学者，甚至是二十世纪初的学者的作品，发现了在这段演说中,有几个存在在Hittite领主条约的主要元素。
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There is a self-consciousness in the thinking about structure that we find in many places in Levi-Strauss that Derrida freely acknowledges in his essay.
在列维的作品中,我们能找到多处对结构认识的自觉,德里达在自己的论文中也承认了这种自觉的正确性。
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In the works that Milton is going to be publishing now with greater and greater frequency, it's this Spenserian ideal of marriage that will be the new and, believe me, the endlessly complex Miltonic subject.
在弥尔顿准备出版的作品中,越来越常出现的，是斯宾塞式的婚姻理想，那将是崭新的，相信我，也是无尽而复杂的弥尔顿风格的题材。
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But I try to talk about it a little bit more in some of my recent work.
但我却试图在我最近的作品中,谈一谈这些因素。
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Yeats was trained in the occult disciplines of Theosophy and Gnosticism. Those traditions merge in his early work with European symbolism, and also with Irish cultural nationalism.
叶芝曾受到通神论和诺斯替教,神秘主义教条的训练，这些传统,在他早期作品中与欧洲象征主义，和爱尔兰文化民族主义结合。
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