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The Latter Prophets are poetic and oracular writings that bear the name of the prophet to whom the writings are ascribed.
后先知书则是诗歌型和神论似的著作,预言家被认为是完成这部作品的人。
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which publishes twice a year, student written poetry and short fiction and plays.
这本杂志一年出两期，主要刊登学生们写的诗歌、短篇小说和戏剧。
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In English it begins with the late novels of Henry James around 1900, in poetry with Eliot and with Ezra Pound.
在英国现代主义萌芽于1900年左右，体现在亨利·詹姆斯,的后期小说，艾略特和艾兹拉·庞德的诗歌上。
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They are trained and have an interest in modern poetry, and this is a happy collaboration for me with them.
他们非常有经验，并且对现代诗歌也有所涉猎，对我而言，能和他们一起工作是很令人开心的。
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The thematic problems that Milton is attempting to tackle are written into the very grammar and the syntax of the poem.
弥尔顿想要处理的主题,就在诗歌的语法和句子结构里边。
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But, you know, the formalists' own basic distinctions are dualistic, aren't they: the distinction between poetic and practical language, the distinction between plot and story, the distinction between rhythm and meter?
但是，形式主义所认为的区别却是双重标准的，诗歌语言和实用语言的区别，情节和故事的区别，节奏和韵律的区别？
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It uses the language of story and song and poetry and paradox and metaphor.
它运用故事和歌曲中的言语,和诗歌，悖论，隐喻去表达。
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So I wrote a chapter on him called Jean Cocteau and the poetry of film.
我曾写过一章来写他,章名叫，让·科克托和电影诗歌。
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Anybody who looks at Greek mythology and Greek poetry, and Greek stories sees there is a powerful influence coming into Greek thought from mainly the Mesopotamian direction.
任何浏览过希腊神话,诗歌和故事的人,都能发现来自美索不达米亚的文化,对希腊思想的巨大影响
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One of these sites is the ... Right now we're doing poetry. and it mentions about the arts and the music of Japan. It inspired me to use Haiku as the focus of poetry unit.
其中有一个是……,现在我们正在学习诗歌,它提到了日本的艺术和音乐,这启发我把俳句作为诗歌单元的重点。
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So, the poetry that is part and parcel of the conversation between Dean and Carlo--Carlo's poetry--seeps out of that basement room.
所以，诗歌是迪恩和卡洛的对话中不可缺少的一部分,-卡洛的诗歌--从那间地下室里渗出。
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It was a kind of powerful moment in American culture where the president allied himself with poetry in this way.
这在美国文化中是个伟大的时刻,这时总统用这种方法把自己和诗歌连接。
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Since he was an unusually small lad, he had been mainlining Greek and Roman poetry.
由于还是非常年轻的孩子，他依旧沉湎于希腊和罗马的诗歌。
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I see this as a course that's an introduction to the literature of a period, to modern poetry.
我觉得，这只是一门引导性课程,引导大家关注某一时期的文学创作和现代诗歌。
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That this great mind and great memory Let's see. On your handout I have Yeats on the subject of magic.
这一伟大的思想和记忆,在你们的讲义材料上,我提到了叶芝诗歌中的魔法。
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Things are not "made up" in Frost, "not made up" in the sense of imagined, called up out of thin air, like fairies and elves.
弗罗斯特的诗歌里没有编造，没有想象，像仙女和精灵那样的凭空想象。
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Milton has to develop a poetic voice that can actually combine those two vocations, the two offices, the office of poetry and the office of ministry.
弥尔顿不得不为这两种才能,诗歌之才和布道之才的结合，吐露诗人的心声。
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But it's still a promise, and it's a promise of the powers of imagination and of poetry, and of poetry made out of play, of a child's play.
但始终还是一个希望，一个想象力和诗歌伟大力量的希望，这些诗是从玩中来的，从孩子们的玩耍中。
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It was the setting for almost all of his novels, almost all of his poetry.
这一视角也是他写小说和诗歌的视角。
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So the first question is, how do we understand the slippage here and more generally, what could poetry possibly have to do with virginity?
所以第一个问题是，我们怎么理解,更普遍来说，诗歌怎么能和童贞有关联？
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They structure Frost's work as a poet and his ongoing inquiry into that work. Frost poems perform a kind of phenomenology of work, of labor.
它们构成了他称其为诗人的工作,和他不断的问询，他的诗歌表现出,劳动的现象。
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And he does the same thing, in fact, to those around him, famously to his lover, Maude Gonne, who becomes Helen of Troy in "No Second Troy"and in other poems.
他也这样表现他周围的人，著名的就要数他的爱人，昴德·冈昂，她在没有第二个特洛伊,和其他诗歌中化身为海伦。
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To understand the concerns of Milton's poetry, it is important to understand this massive conjunction of economic and spiritual thought that's really at the heart of English Protestantism.
想要了解弥尔顿诗歌的关注点,了解经济和精神上的联系是很重要的,这就是英国新教教义的核心。
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This is something poetry can activate and draw upon.
这是诗歌可激活和利用的。
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The Greek way of looking at things requires a change from the characteristic way of knowing things before the Greeks, that is to say, the use of faith, poetry, and intuition.
希腊人观察事物的方式需要改变,这和之前人们通过信仰,诗歌和直觉来了解事物的方式,发生了很大的变化
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Now I want to really clarify for you what I mean by this term "modernism." It just means the art and literature of the early twentieth century, especially the "high art," although its roots are definitely in the nineteenth century, especially the French nineteenth century, fiction and poetry.
现在我特别想向大家解释清楚,“现代主义“到底是什么意思，它其实就是指,20世界早期的艺术和文学作品，特别是高雅艺术“,尽管它起源于19世纪，特别是19世纪法国的小说和诗歌。
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And yet, it's also important for reading Pound and for reading Eliot and for reading Moore, who sound the way they do partly because they make a point of not writing pentameter, the meter that Frost often, but not always, chooses.
也对于阅读庞德和,艾略特，莫尔的诗歌很重要，他们听起来是做到了一部分,因为它们提议不要写五音部格诗，这种形式弗罗斯特很常用，但不是总用到。
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And I can only assume that that is precisely the point, that Milton would -- later in 1667 when Paradise Lost is published, he would make his poem canonical just like The Iliad and just like The Odyssey and The Aeneid before anyone had actually read it.
我只能假设就是为了这点，当他在1667年出版《失乐园》后，弥尔顿会遵照《伊利亚特》的模式来创作诗歌,还有《奥德赛》和《埃涅阿斯纪》,在这之前人们还没有真正的读过这些书。
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This is impressive: he dropped out of both Dartmouth and Harvard, and he did so to take laboring jobs, each time enacting a conflict between intellectual life and manual labor that would be a persistent and central theme of his poetry.
令人印象深刻的是，他从,达特茅斯学院和哈佛大学都辍学了,来劳作，每一次都在,脑力劳动和体力劳动间发生矛盾,这也是他的诗歌的核心主题。
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I'm going to look sort of with some care at these passages - so all will become clear, but particularly in this: Sidney-- and I didn't exactly quote the passage in which Sidney does this - but I urged you to believe that he does-- Sidney actually ranks poetry somewhere between divinity and the other sciences.
我会重点讲这点,等我讲完你们就明白了-,我不读他的原句了,但我想让你们知道，西德尼的确-,将诗歌排在了,神学和其他科学之间。
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