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With the Tchaikovsky they--all the intervals are the--the durations are the same, but with the Beethoven, short, short, short, long.
柴可夫斯基的乐曲中,所有和弦的时值都是一样的,但贝多芬的乐曲里,却是短音,短音,短音,长音
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If so,how many chords are involved in this chord change and are they changing at a regular or irregular rate?
是否有和弦的转变，这次和弦转变一共用了多少和弦,他们的变化率是规则还是不规则的？
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Once we get up there, that's sort of the end of the antecedent phrase and we have a chord change.
前分句在这个高音部分结束，那是前分钟的结尾和弦发生转变。
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Well, the piano is just playing chords, playing them in octave successions, and we'll talk about that a little bit more too.
钢琴弹奏了和弦,一连串的八度音,这部分,我们今后也会继续探讨
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So that was one interesting question that came up, so keep this in mind if you're wondering about this idea of chords.
这样就有了一个有趣的问题，将这个关于和弦的疑问保留在脑海里。
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The amount of time that each chord is holding is getting shorter and shorter and shorter as we drive into that cadence.
每个和弦持续的时间变得越来越短,越来越短，将我们带进这一段音乐的终止式。
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They're these building blocks that support the melody and they have to change for that melody to be consonant all the time.
这些和弦是旋律的基础,和弦的变化必须和旋律保持协调一致
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So because so much popular music and particularly rock music has those chords in root position we can track them more readily.
因为很多流行音乐尤其是摇滚乐会在原位上添加这样的和弦,这样听起来会比较悦耳。
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You notice at the beginning one-two, At the beginning these chords are holding for four measures or a total of eight beats.
注意在开头，在开始的部分，和弦持续了4小节也就是8拍。
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These other instruments are filling in these things at various spots to produce this aggregate of the chord.
这些不同的乐器在不同的点上聚合成了一个和弦。
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But if you were to look at what the YSO has on its stands nobody's playing the chord.
而如果你听的是约克交响乐团的演奏时会发现没人在演奏和弦。
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You knew it was time to start clapping as soon as that chord hit that, it stopped going back and forth,tonic,dominant,just sitting there.
你知道在这个和弦出来的时候要拍手，然后停下来，来回的行进，而主音，属音，然后保持住。
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If one chord holds twice as long or only half as long, then we have an irregular harmonic change--irregular rate of harmonic change.
如果某一个和弦持续的时间是其他和弦的两倍或者只有一半，这就是不规则的和声改变。
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We're just going to watch and listen to--maybe even sing along with--the bass as he changes chords.
我们来听听看看，也可以跟着一起唱，看看低音是怎么与和弦一起变化的。
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The first of the triad--this is a term that we'll be going over today--is called the what?
该和弦的第一个音，这个术语我们今天将会讲解，叫做什么？
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Now just working with the four-note motive here-- A strange little dissonant chord there resolving to consonance.
现在四音符的动机出现,这有一段有点不和谐的和弦,解构成和谐音
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It doesn't really matter but notice that whenever the chords are changing they're changing on down beat.
这倒无所谓,不过注意一下,和弦变化的时候,往往都是在重拍上变化的
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Most frequently, chord changes come on the downbeat so composers signal to us in a fourth way the downbeat by means of chord change.
通常,和弦的变化都在重拍上,所以作曲家们用这第四种途径,通过和弦的变化告诉我们重拍的位置
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They're all just doing their own thing in the context of the harmonies that are playing out here, and it's just magical I think.
它们在和弦的背景下,进行各自的演奏,而我觉得它是奇迹
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See if you can determine how many chords we have here--whether we have a chord change.
看看你能不能听出这里面有多少有多少和弦，是否有和弦的转变。
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we've got this idea of major chords and minor chords so let me ask you this.
我们已经引出了大和弦和小和弦的概念,那么我要问你们
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Without those other things running around we would have a good sort of model of homophonic texture, sort of block chords changing in that fashion.
如果没有这个其他东西单独进行我们将会获得一种不错的同音材质，一种阻断的和弦在改变。
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How sweet it is. Okay So that's sweet-sounding homophonic texture, mostly just chords. Thanks, Lynda.
多甜美啊,好,这就是甜美的主音织体,大多数只是和弦,谢谢,琳达
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A sequence of chords that sound good together, kind of make sense together; we could say that sort of march along in a purposeful fashion.
放到一起好听的一组和弦，在一起有意义的和弦，我们也可以把它说成一组和弦有目的的行进。
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And these tree trunks were the chords and at the base of each of these chords at least conceptually, theoretically, is this thing called the root.
这些树干就是和弦，而每个和弦的底部，从理论上说，就是被称为根的东西。
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We're going to focus now on some passages where we can do it, and we're going to see how Beethoven is setting up some chord progressions here.
我们现在准备将注意力集中到我们可以找到的那些乐章上，来看看贝多芬如何进行和弦的。
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By regular rate we mean that the amount of time that each chord holds is exactly the same; every chord holds for the same length of time.
如果变化频率规则，那么和声中每个和弦持续的时间长度是完全相同的;,每个和弦都持续同样长的时间。
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Because the melody changes and not all harmonies are concordant with every note.
由于旋律在不停变化而且不是所有的和弦都和每个音符一致。
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Yeah. Well,not just the chord progression but also the structure of the piece.
是啊，嗯，不仅仅是和弦，而且曲子的结构在行进中。
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