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Milton wants to write an epic that in some ways comes before, or prevents, the great epics of Homer and Virgil.
弥尔顿想写一首在某种程度上先于，荷马和维吉尔伟大史诗的史诗。
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The god told Virgil that he wasn't ready yet for the manly, the adult, and the public world, the important world, of epic poetry.
神明告诉维吉尔，他还没有准备好接受，成人世界和公众世界，以及史诗的重要领域。
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On the far right is Christina Roberto, next to her is Anna Newheiser, Jeremy Chen in the middle, Ashley Gearhardt and Julie Huang.
最右边的是克里斯蒂娜·罗伯特,她旁边是安娜·纽海瑟,往中间依次是杰里米·陈,艾希莉· 吉尔哈特和朱莉·黄
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The story of the first human pair in the Garden of Eden, which is in Genesis 2 and 3 has clear affinities with the Epic of Gilgamesh, that's a Babylonian and Assyrian epic in which a hero embarks on this exhausting search for immortality.
创世纪2至3，里，伊甸园亚当和夏娃的故事,与《吉尔迦美什史诗》有着密切的联系，《吉尔迦美什史诗》是巴比伦人和亚叙人的,一个英雄竭尽全力追求永生的故事。
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So they've got a lot of-- Will Goetzmann and Geert Rouwenhorst are collectors of old bonds and they've got lots of bonds with their coupons still attached.
他们那有很多,威尔·杰茨曼和吉尔特·陆文霍斯特,是旧债券的收藏家,他们收集了许多,还贴有息票的债券
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Milton would insert into the printed text of his poem his own anticipation that his epic would receive the same universal approbation as Homer's and Virgil's.
弥尔顿会把自己的预想也写进他的诗里,他认为自己的史诗也会得到普遍的认可,就如荷马和维吉尔的史诗。
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The language of Homer and of Virgil and of Pindar and of Ovid had become an inextricable part of his literary imagination and of his consciousness in general.
荷马，维吉尔，品达尔和奥维德的语言,成为弥尔顿文学想象还有文学觉悟中,无法摆脱的一部分。
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Like Homer and like Virgil, Milton intends to soar above the wheeling poles of the visible world and describe the otherwise invisible comings and goings of the gods.
像荷马和维吉尔那样，弥尔顿想屹立于现实世界之上,去描绘无形世界中上帝的来来往往。
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It's a poem deeply invested in the tradition of pastoral poetry, pastoral poetry from Theocritus and Virgil onward.
这是一首深深植根于从忒俄克里托斯和维吉尔时代，不断发展而来的田园诗的传统中的诗。
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That means that he has to expel from his system not just Homer, not just Virgil and Dante, but also his better teacher, Edmund Spenser.
这意味着他不得不从那个体系中脱离出来，不仅是荷马，维吉尔和但丁，还有他的良师埃蒙德·斯潘塞。
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One of the motives for his selection of this genre, the pastoral genre, is the tradition -and it's a tradition that goes all the way back to Theocritus and Virgil -that associates shepherds with poets.
他选择这个流派的动力之一，就是田园诗是一种传统,是一种可以追溯到忒俄克里托斯和维吉尔时代的传统,它把牧羊人和诗人紧密相连。
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He can reject the beauty of Homer, he can reject the beauty of Virgil, but he can also reject -- and this has got to be an even greater challenge, perhaps -- he can also reject the help of his Christian teacher, Edmund Spenser.
他可以抗拒荷马和维吉尔的文采之美，更加了不起的是，他可以抗拒,来自他基督教派的老师,埃蒙德·斯潘塞的帮助。
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The only precedent Milton would have had even for the idea of line numbers would have been the great ancient classics, the magnificent Renaissance editions of Homer and Virgil.
弥尔顿曾经的唯一一个范例，甚至是印上行数的想法,都将是伟大的古老杰作，是荷马和维吉尔伟大的再生版。
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or nymphs and satyrs than you or I know and later urban poets - and Theocritus was an urban poet -later urban poets like Virgil or Milton knew even less than Theocritus, we have to assume.
的森林之神），忒奥克里托斯知道的不比你我或是后来的,都市诗人多--忒奥克里托斯就是个都市诗人,-后来的都市诗人像维吉尔和弥尔顿,我们得假定，对这些知道的就比忒奥克里托斯还少了。
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Come, let me lead thee ramparted Uruk, To the holy Temple, abode of Anu and Ishtar, Where lives Gilgamesh, accomplished in strength And like a wild ox lords it over the folk."
来吧，让我带你一起去乌鲁克城，住在Anu，和，Ishtar神庙，去到那吉尔伽美什,倚仗他和野牛一样的力量统治着的地方“
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