That is to say, what we're taking up this week, is as much really the history of criticism as literary theory.
也就是说,我们这周要讲的,与其说是文学理论,不如说是文学评论的历史。
All right. Now the question, "How does literary theory relate to the history of criticism?"
现在我们来思考这个问题:,“文学理论和评论的历史有什么联系?
It seems formal and analytical in contrast to Machiavelli's combination of historical commentary and reflection drawn from personal experience.
它看起来更正式,分析得更透彻,这是与马基雅维利的,从个人经验出发,历史性的评论和反思相结合相比。
At times, we will play the historian, at times we will be literary critics.
有时,我们会从历史学家的角度来看,有时,会像文学评论家。
So historians can and in fact have many times taken issue with a lot of Weber's historical claims. But he's invaluable, as the critic John Guillory has argued, for our purposes in the understanding of Milton and of a lot of the cultural business of the seventeenth century in general.
所以历史学家可以,事实上已经对韦伯的历史学断言,持反对意见,但就像评论家约翰古月里说的,对我们来说,在对弥尔顿以及很多,17世纪文化方面的事的了解上,他的意见是非常宝贵的。
You remember in the first lecture I said there's a difference between the history of criticism and theory of literature, one difference being that the history of criticism has a great deal to do with literary evaluation: that is to say, why do we care about literature and how can we find means of saying that it's good or not good?
你们还记得吗,第一节课我说过,文学评论历史和文学理论有一个重大区别,那就是文学评论的历史,很大程度上与文学评估有关:,意思就是我们为什么要关心文学,还有我们怎么能说一部作品是好还是坏?
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