• What's the dominant in the text is just the stuff, the stuff in his knapsack listed with as little implication as possible.

    主题占支配地位,重要的是那些在背包里几乎没有任何含义的东西。

    耶鲁公开课 - 文学理论导论课程节选

  • In a certain poet, the image, the image patterns, can certainly be recognized as the dominant device.

    对于特定的一个诗人,图像,或图像的组合,当然可以是占支配地位的方法。

    耶鲁公开课 - 文学理论导论课程节选

  • In other words, an enormous variety of aspects of literature, understood as "literariness," can become the dominant.

    也就是说,文学的很多方面,也就是我们所说的文学性,都可以占支配地位。

    耶鲁公开课 - 文学理论导论课程节选

  • Any device can be the dominant at a given moment in the development of literary history.

    任何一种方法都可以,在文学发展史的特定时期占支配地位。

    耶鲁公开课 - 文学理论导论课程节选

  • In the first place, notice that sometimes story can be the dominant in obviously formal terms.

    有时候故事明显,会占支配地位。

    耶鲁公开课 - 文学理论导论课程节选

  • The subject matter itself becomes the dominant device, and it implies in your imagination a way to construct it, but the way to construct it is not the dominant.

    但是在奥布莱恩的文章里,主题被首先给出,主题占支配地位,在想象中引导你构建情节。

    耶鲁公开课 - 文学理论导论课程节选

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