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This is what Tynjanov says: In formalist historiography, the prime significance of major social factors is not at all discarded.
提尼亚诺夫这样说：,在形式主义者编写历史时，并没有完全忽略主要社会力量的重要性。
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But for Milton's contemporaries in the seventeenth century, Milton's power really wasn't at all aesthetic or even religious in nature.
但在17世纪弥尔顿同时代的人看来，弥尔顿的力量却是毫无美感的，甚至本质上不是宗教上的。
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Her aim is to get along in a world that is dominated by shifting forces that can be registered and reacted to by poetry, but not explained.
她的目的是通过诗歌所能记录，达到却不能解释的,变幻莫测的力量,来和被统治的世界相处。
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It's quite spectacular because here in the 1890s we have the apex of the Western classical orchestra, this big, beautiful, powerful instrument.
它之所以雄壮因为在十九世纪九十年代,西方古典管风琴正处于顶峰,这是一种巨大,美丽,有力量的乐器
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So, interdependence is one thing but what's maybe more interesting is that simple contact with other people.
互相依赖是其中一股力量,但更有趣的另一股力量是,和他人的简单接触。
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having more capital, standing for a set of values is a key part of our power.
拥有更多资产，坚持价值观,是力量的关键。
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If you want to draw upon a higher power you've got lots of choices there too.
如果你想借助于更强大的力量,也有很多的选择
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The speech is proceeding rather smoothly and, I think, kind of explicably as the Lady defends the sun-clad power of chastity.
我认为演说进行的相当顺利，当女士维护贞节如太阳一般的力量时，听上去是可解释的。
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She has way more power than she needs, it would seem, to destroy a petty little mages like Comus.
她会拥有更多的力量，那看上去足够，摧毁一个像科玛斯这样的英俊的法师。
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She's probably said way more than enough in her testimony to the potentially apocalyptic power of her virginal speech.
在她证明童贞潜在的启示力量的演讲中,她很可能说得更多。
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He anticipated this power much as his father, a reasonably well-to-do banker, might have anticipated long-term earnings from a particularly risky business venture.
他预测到他的力量，正如他的父亲，一个相当富有的银行家，能够预测到从一笔风险高的生意中,能获得多少长期利益一样。
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How troubling though -- this seems undeniable -- and how strange that Woolf really at her most radical is echoing the very words of the power that she's opposing!
多么让人不解--但这又是不可否认的--多么奇怪,伍尔夫在她最激进的言论中附和弥尔顿的字字句句,而弥尔顿的力量正是她所反对的！
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Part of the resonance and power of that famous refrain, "a terrible beauty is born," is that this beauty is being born not only in the world but in Yeats's poetry.
部分激发联想的力量,以及那著名的叠唱的力量，一中惊人之美诞生了“,那种美,不仅诞生于现实世界,也诞生于叶芝的诗歌。
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How then can we justify the ways of God to men? How can we justify the fact that the abstinent Orpheus, the virtuous Orpheus, ? was so brutally assaulted and without any aid from the higher powers?
如何证明上帝待人之法？，如何解释俄耳甫斯这样一个,节制欲望，贞洁自守的人竟会遭到如此残忍的谋害，却得不到任何更高力量的援助这样一个事实？
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But regardless of Milton's ultimate dismissal of Satan's position, Satan's analysis of power, and of God's power especially, isn't that easily dismissible.
尽管最后弥尔顿驳回了撒旦的言论，但是撒旦对力量的分析，尤其是对上帝力量的分析，是不能这么轻易驳回的。
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Now you will remember that the mask Comus was everywhere well, the strangely intertwined questions of the power of chastity on the one hand and the power of poetry on the other.
你们应该记得，面具戏《科玛斯》处处都,一方面是贞洁的力量，一方面是诗歌的力量,这两股奇特的纠缠在一起的力量。
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In Milton's case this investment in power paid off.
米尔顿对力量的投资获得了报偿。
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So for Stanley Fish, Milton is always reminding us of our fallen-ness as readers and we're continually being encouraged to submit all of our uncertainties and all of our doubts to the power of faith.
对费什来说，弥尔顿总是在提醒我们自身作为读者的,堕落，我们也不断的被激励着,屈从于自身的不确定和,对信仰的力量的犹疑。
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I think of it as a kind of reply to that famous question in "Leda and the Swan"; that is, "did she put on his knowledge with his power before the indifferent beak could let her drop?"
这是对丽达和天鹅中那个,著名问题的回答，在那冷漠的嘴把她放下之前,她是否用她的力量获取了他的知识？
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My guess is that our sense of Milton's power, however that power is imagined, is intimately related to the way in which Milton himself represents power in the characters of Satan and of God in Paradise Lost.
我猜我们对弥尔顿力量的理解，不管我们如何想象这力量，与弥尔顿在《失乐园》中所写撒旦和上帝两角色对,力量的展方式切密切相关。
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Because standing for our ideals is a key part of our power.
因为坚持理想,就是力量的关键。
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Now I raise the matter of Satan's critique of God's power because the evaluation and the criticism of Milton, and especially of Milton's poetry, has hinged for a couple of centuries now on a related set of questions about this poet's power.
我提出撒旦批评上帝力量的问题,因为对弥尔顿的评价和批判，尤其是对他的诗的评判，几世纪以来,一直与一些与他的力量相关的问题纠结在一起。
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Satan's saying that before the war in heaven, God's power just seemed like any other king's power, as if God sat on the throne of heaven merely because of those humanly constructed reasons of tradition, or of old repute or consent or custom.
撒旦是说在这场天上的大战之前，上帝的力量就和其他国王的力量一样，他坐在天堂的宝座上似乎仅仅是因为,人们自己营造的原因和传统，或者说是他过期的声望，他制定的法规以及约定俗成的规矩。
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Obviously, it goes without saying that today the assessment of Milton as some kind of imminent social threat or some sort of social force in terms of the radical nature of political power - that has taken a sharp turn.
显然--这是不言而喻的--现在，这一种基于弥尔顿,政治力量的激进性而把他看做是,危险的社会威胁或社会力量的观点,已经有了180度大转弯。
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As a virginal orator, should she choose to unleash her powers, she would have the power of an Orpheus moving dumb things to sympathize -- Orpheus being one of Milton's most prized mythological figures of the powerful poet.
作为一名处女演说家，如果她选择释放自己的力量，她应该会有像俄耳甫斯一样的力量,使哑的东西也受到感动而有同情心,俄耳甫斯是弥尔顿最为称赞的有权利的神话传说诗人。
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That Satan is still able to doubt the legitimacy of God's power is a testimony to the complexity, I think, of the analysis of power in Paradise Lost. No power, not even God's power, can be irresistibly and indisputably proven.
我认为，撒旦尚能怀疑上帝力量的正统性,就证明了，《失乐园》中对力量的分析的复杂性，即使是上帝的力量，也不能被不可抗拒，无可置疑的证明。
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Even if we locate a source of some kind of genuine strength, authoritative strength, it's still usually possible, as it is for Satan, to argue that that power is really at base just the concealed product of custom or what we would think of as cultural construction.
有时即使我们找到了一种真实的，权威的力量，还是有可能像撒旦所辩解的那样，这种力量其实只是,约定俗成的规矩教条的隐秘产物,或者如我们所想来自文化建构。
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I mentioned earlier that it's Virginia Woolf who's largely responsible for our sense of Milton's identity as an oppressive patriarchal literary voice, but Virginia Woolf, too, had inherited these contradictory ways of thinking about Milton and about Milton's power.
我先前提到过，我们之所以会,把弥尔顿看作是男权主义在文学领域的发言人,在很大程度上是由于佛吉尼亚·伍尔夫，但佛吉尼亚也继承了这互相矛盾的,思考弥尔顿及其力量的方式。
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Satan finds it ignominious and shameful to lower himself to God, to bow and sue for grace with suppliant knee and deify His power, but this kind of submission is shameful not because it's simply always shameful so to debase oneself.
撒旦认为对上帝放低身段，屈膝承欢，并认可他的力量实在是可耻的，但是这种屈从之所以是耻辱,并非是因为通常身段被贬低时会感到耻辱。
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