• We all know about "Liebestod" in "Tristan and Isolde," the moments of death in literature which obviously are sexually charged.

    我们都知道李斯特创作的《崔斯坦和伊索德》中“,文学中的死亡瞬间由性管控。

    耶鲁公开课 - 文学理论导论课程节选

  • And I produce different events, and I actually just had a big opening this past weekend. I had forty seven artists,

    创作不同的作品,而实际上,上个周末我刚办了一个开幕式。我请来了四十七个艺术家,

    纽约的美术馆 - SpeakingMax英语口语达人

  • So it might be something like that, a tiny little something that one would set down like a couple of elements.

    所以创作的支点可能是类似这些的,很小很小的事情,作者会把它们列出来,就像一系列元素一样。

    普林斯顿公开课 - 人性课程节选

  • In the second verse paragraph, Milton tells his father: "do not despise divine poetry, creation of the prophetic bard.

    在诗的第二段,弥尔顿对他父亲说:,不要轻视神圣的诗歌,诗人预示性的创作

    耶鲁公开课 - 弥尔顿课程节选

  • I think it's telling that this kind of creation is a failure; it cannot succeed in the confines of this novel.

    我想这告诉我们这种创作是失败的;,它在这本小说的界限内无法成功。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • In other words, in a way it's a disputed text and it is not written by Aristotle, but it's also a foundational text.

    所以,诗学是一个充满争议的著作,它并不是由亚里士多德创作的,却非常重要。

    耶鲁公开课 - 文学理论导论课程节选

  • Yeats is obviously writing in the context of an Irish civil war, but it's also the case that he's writing in the shadow of the First World War as well.

    叶芝显然是在爱尔兰国内战争时期进行创作的,但是同时他也是在,一战的阴影下写的。

    耶鲁公开课 - 现代诗歌课程节选

  • It's based on the ancient form of Japanese poetry, which is something that I had never tried myself.

    这些诗是根据日本古代诗歌形式创作的,我自己都从没试过。

    麻省理工公开课 - 媒体、教育、市场课程节选

  • Very often in these creations stories there is some sense of some realm from which life begins to emerge usually beginning with gods.

    通常在这些创作的故事里,都会说到,神是人类的最先。

    耶鲁公开课 - 旧约导论课程节选

  • We'll come full circle later in the semester and actually begin to create things just as animated again.

    我们这学期要把这些都学一遍,然后开始创作类似动画的东西。

    哈佛公开课 - 计算机科学课程节选

  • There's a very interesting New Yorker profile on him by Malcolm Gladwell a few years ago, something you might be interested in.

    这有非常有趣的纽约客形象素描,几年前马尔科姆·格拉德威尔创作,也许你们会感兴趣。

    耶鲁公开课 - 心理学导论课程节选

  • So doing music, if I'm sight reading, playing, it's a very complex thing, but most of the--most of this music and language processing happens in these-- the--as I mentioned--the left and right auditory cortex.

    如果我想创作音乐,即兴创作,即兴表演,那就会很复杂了,但是大多数的语言和音乐处理,都在这部分发生,就是我之前提到的左右听觉皮层

    耶鲁公开课 - 聆听音乐课程节选

  • I like the idea of... after seeing that movie, it makes you afraid to go home and go to sleep,

    看完那部电影后,我就喜欢上了那种创作,它让观众不敢回家上床睡觉,

    要成为导演 - SpeakingMax英语口语达人

  • Not just in sort of mathematical things like chess or math, there are, as you know, programs that can write music.

    不止是下棋或数学这类跟数理有关的事,你知道,有些程序甚至能创作音乐

    耶鲁公开课 - 死亡课程节选

  • Probably the most prominent pro-slavery writer to make the racial case and they all did but probably the most prominent was George Fitzhugh.

    也许最著名的亲奴制作家,都想创作出一套种族法案,他们也确实这么做了,但最著名的当属乔治·菲茨休

    耶鲁公开课 - 美国内战与重建课程节选

  • How it is to enter into the creation of films and what are the schools of thoughts that have origined by emphasizing one or the other so that immediately we'll be get into the question that you are already sensative to I'm sure.

    怎样走进电影创作,电影创作有哪些相伴相生的,思想流派,我们很快就会,探讨这个问题,你已经对此有所感悟。

    麻省理工公开课 - 电影哲学课程节选

  • But I'm not sure that you can really make that assumption based on something that someone creates

    但我不确定你真的能基于某人创作的某些作品来做那样的推断,

    印象深刻的展示会 - SpeakingMax英语口语达人

  • Beginning in the late 1630s at the moment in which Lycidas is being written, Milton is becoming increasingly radical.

    在17世纪30年代的晚期,即的创作时期,弥尔顿正变得愈发的激进和极端。

    耶鲁公开课 - 弥尔顿课程节选

  • It's very simple. It's this: if I know what I'm doing, it is almost inevitably the case that you would know also.

    实际上十分简单:,如果我知道我创作的是什么,那么你很可能也知道我创作的内涵。

    普林斯顿公开课 - 人性课程节选

  • I composed pastiches: : "Fraulein von Kulp may turn her hand upon the door. I will not follow her.

    歪歪扭扭的小品文,我还创作模仿他人的打油诗:,冯·库尔普小姐,或许会转身将手放在门上我,不会跟随她。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • That's not just a set of functions--variables, as one might say in the lab.It's produced by genius.

    它不仅仅只是一套机器,像人们在实验室所见的一样多变,它是由天才创作的。

    耶鲁公开课 - 文学理论导论课程节选

  • Milton's taking pains here, and he does this with very few other poems, to let us know precisely when it is that he's written it.

    弥尔顿在这里极力想让我们,知道他确切的创作时间。

    耶鲁公开课 - 弥尔顿课程节选

  • But frankly, I'm convinced, insofar as I'm convinced of anything, that if one doesn't live by that, nothing of any interest is going to happen.

    不过,坦率来讲,我相信,或者说,我确信,如果一个人不相信这一点,那么他的艺术创作只会平淡无奇。

    普林斯顿公开课 - 人性课程节选

  • In Stevens, modernity shows us that the truth of religion was always a fiction, a fundamentally poetic construction.

    在史蒂文斯的诗里,现代性向我们展示了,宗教的真理不过是虚构之言,是最基本的诗意创作

    耶鲁公开课 - 现代诗歌课程节选

  • Others point to all the problems: the anachronisms, the general lack of specificity as a sign that these are composed quite late.

    其他人则提出了各种问题:,时代特色,表述不够具体,由此推断这些创作得比较晚。

    耶鲁公开课 - 旧约导论课程节选

  • Ours a much more visual-- it's a much more analytical-- type of approach to music and it has its pros and cons.

    我们的这种更加可观赏的,更易分析的音乐创作途径,自然也有正反两面

    耶鲁公开课 - 聆听音乐课程节选

  • When we consider the particular circumstances that occasioned the poem Lycidas, we can see why Milton, I think, chose this pastoral form.

    当我们把引发的创作的,特有的情况考虑进去,我们可以发现弥尔顿选择这种田园诗派的原因。

    耶鲁公开课 - 弥尔顿课程节选

  • He doesn't even give Homer the credit of being singular in having composed The Iliad. "They" -- who's "they"?

    他甚至都没有给荷马创作《伊利亚特》中的非凡才能,以应有的名分,“他们“--谁是“他们“?

    耶鲁公开课 - 弥尔顿课程节选

  • And how can Milton have anything to show for his talent until he has -- this is the logic - until he has patiently waited for God to inspire him to write?

    弥尔顿怎样才能证明自己有才除非,他有作品面世--就是这个逻辑,-直到他耐心地等待上帝指示去创作

    耶鲁公开课 - 弥尔顿课程节选

  • Now it's still going to be another twenty-five years before Milton writes the great epic, but Milton will no longer express the same degree of anxiety about under-preparation to write the great epic.

    距他成为真正的史诗诗人,还有25年,但是弥尔顿不会再轻易表现出,关于创作史诗毫无准备的同等的焦虑了。

    耶鲁公开课 - 弥尔顿课程节选

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