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The first creation story doesn't really contain puns and wordplays, it's a little bit serious. The second creation story is full of them: there are all sorts of little ironies and puns in the Hebrew.
第一个创世纪故事中很少有双关语和文字游戏，有几分严肃，第二个故事却充满了这些：,希伯来语中有许多反讽和双关。
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And then there's an area called Williamsburg and Greenpoint which are younger, a little more funky.
那里有叫威廉斯堡和绿点的地方，它们充满朝气，又多一点时尚。
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This is the pulsating vehicle for his precious theology of free will and for his politics of liberty.
这是他宝贵的自由意志神学观点和,推崇自由的政治主张的充满活力的载体。
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Like that phrase, "a terrible beauty," the poem is full of contradictions, of contradictory feelings.
就如诗句，可怕的美，惊人之美“,此诗充满矛盾，和情感的冲突。
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So what O'Connor does, is she presents a sense of the world imbued with structure and meaning, but a structure and meaning that looks essentially blank.
所以奥康纳所做的是，呈现一个充满了构架,和实义感的世界，只不过这些构架和实义,看起来完全是空无一物的。
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It's removal of the creation account from the realm and the world of mythology.
它去除了一些关于创世的描述,关于那些充满神奇的国度和世界。
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It's poetic and lyrical and if William James characteristically writes that way.
充满了诗意和感情,如果这是威廉，詹姆斯的写作特征。
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Usually it's not. That was the point that discussed in my chapter comparing him to Houston's film The Dead. Houston's film is filled with sentimentality and nostalgia. Welles generally avoids that, the way James Joyce does.
通常并非如此，那正是我在比较,他的作品与休斯顿的电影《死魂灵》,的章节中所谈到的，休斯顿的电影,充满了多愁善感和怀旧情绪，而威尔斯通常,尽量避免那样做，那是詹姆斯·乔伊斯的方式。
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That is to say, when the rules governing authority have broken down in times of crisis, and that was certainly true in Hobbes' time, a time of civil war and crisis.
这就是说，当统治权力,在危机下崩溃时，这恰好就是霍布斯时代的情况，充满内战和危机的时代。
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They're not bidden to be cast out in to utter darkness where there's weeping and gnashing of teeth.
没有因为无所事事而受惩罚,他们没有被罚去充满哭泣声和牙齿的无尽的黑暗里。
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Does Milton only seem powerful because he's the very literary embodiment of patriarchy and masculine bias?
还是说他看起来强大是因为,他的作品中充满了男权主义和性别偏见？
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You can tell he does because it gives him this extraordinarily happy opportunity of defending himself and justifying himself, which is what he does with a special vigor this is on page 695 of the Hughes -- in the Apology.
你可以分辨出他喜欢是因为,这给了他格外开心的机会去辩护自己,和证明自己的合法，他充满了精力去做这个,这个在休斯版《致歉》的第695页。
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He is a figure of critique. He's a figure of satire.
他是一个备受批评和充满讽刺的人物。
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It's difficult to imagine that as an expression of genuine grief over the death of a genuinely close friend would take the form of a poem so learned, so filled with remote literary allusions and obscure opinions.
这首诗是为表达对挚友逝去的真挚悲痛,却采取了这样一种如此博学，如此充满,遥远的幻境和隐晦的观点的形式,这确实是难以想象的。
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In any case, the question of value and valuation is an important one in Comus, and it's important in part because the rhetoric of the mask is saturated in the economic, the commercial, and the financial imagery that we were looking at in the last lecture.
在任何情况下，价值和评价对于Comus来说很重要，这个很重要有部分原因是,面具里的语言充满了经济的，商业的，和金融比喻的，这都是上次课我们想要寻找的。
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