Well,if hedge funds first became mainstream maybe fifteen years ago, then what are you looking at in terms of history?
如果对冲基金,在15年前就变成主流,那么你会在它们的历史记录中看到什么呢
What did you see at the Metropolitan Museum?
你在大都会艺术博物馆都看到什么了?
You could watch where it localizes in the cell, there are fluorescent assays you could use to determine what other proteins it interacts with.
你可以看到它在细胞的什么地方,你可以用荧光化验的办法确定,它和其它什么蛋白质相作用。
I don't know what the dates say, 1916, excuse me, and you can see what he's done.
我不知道具体时间了,1916年,不好意思,你能看到他在做什么了。
you can see that already Sal is taking what he can get from this language and transposing it into his experience of reality.
你会看到Sal在说他能从这语言中得到什么,并转换成他的现实经历。
You wouldn't expect anything in the middle because you never saw anything in the middle.
你不会觉得中间有什么物体,因为你并未在中间部分看到些什么
You could see, for example, when it's expressed in a cancer cell, and where it's expressed.
你可以看到,比如说,它什么时候在癌细胞里被表达,在哪里被表达。
It's a kind of realism, of course. Nevertheless, there it is in front of us, and again I call you back to that quotation. What are we going to see when we look at the fiction? Do we see what's in front of us?
当然这也是一种现实主义,然而,这些就在我们眼前,我想再次将你们的注意力集中到那句引语上,当我们阅读这,部小说时,什么情景会呈现在你眼前呢,我们能看到什么吗?
You bring somebody in the sleep lab, you put electrodes on their scalp and you see what these-- what sort of electrical activities you get in the brain.
把人叫来睡眠实验室,把电极贴在他们的头皮上,你就能看到-,他们有什么脑电活动。
Now, why the Fat Lady? It's this mythical, incredibly humanly embodied-- whenever you see a fat lady in a novel, one of the first things you want to ask is: why does that person need to be excessively embodied?
现在,为什么是胖太太,这是个神话,人们呈现了,无论你什么时候看到一个胖太太,在小说里,你首先会想问:,为什么那个人需要被这样过多的描写呢?
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