In fact, during this whole period playwrights were writing prologues to their plays abusing each other for being obscure that is to say, abusing each other for requiring interpretation.
事实上,当时,剧作家给别人的剧作写序言时,经常互相指责说对方的作品晦涩难懂,换言之,指责说对方的作品需要解读。
If you have to interpret it, it isn't any good.
如果文学作品需要解读,那么它就不是一部好作品。
They are not concerned about interpretation because to them, good writing is precisely writing that's clear, writing that doesn't need to be interpreted but has precisely as its virtue its transparency of meaning.
他们不关注解读问题,因为对他们而言,一部好的作品必须清楚明白,正因为它表意清楚,所以不需要解读。
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