So the criterion is: is it relevant to the unified form that we as critics are trying to realize in the text?
所以,这里的标准是:,隐含的意义是否和文本的一致性有关,而这正是我们作为文学批评家,要通过文本实现的?
The author may have been looking out of the window, but literature, as we encounter it and as a text, is not looking out of the window.
作者可能往窗外看过了,但是文学上,我们遇到它时并且在它作为一个文本时,并不需要往窗外看。
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